ADRIAEN VAN OSTADE (HAARLEM 1610-1685)
ADRIAEN VAN OSTADE (HAARLEM 1610-1685)
ADRIAEN VAN OSTADE (HAARLEM 1610-1685)
4 更多
ADRIAEN VAN OSTADE (HAARLEM 1610-1685)
7 更多
ADRIAEN VAN OSTADE (HAARLEM 1610-1685)

A man holding a pipe, in an interior; and A woman holding a jug and a glass of beer, in an interior

细节
ADRIAEN VAN OSTADE (HAARLEM 1610-1685)
A man holding a pipe, in an interior; and A woman holding a jug and a glass of beer, in an interior
the first signed indistinctly with monogram 'A...O' (centre left); the second signed with monogram 'AVO' (lower left, on the table)
oil on panel
6 ½ x 5 ½ in. (16.5 x 14 cm.); the second, 6 3⁄8 x 5 5⁄8 in. (16.3 x 14.3 cm.)(2)
a pair (2)
来源
(Possibly) M.***; his sale, Chariot and Joullain, Paris, 31 March 1775 (=1st day), lot 4, as 'Un Paysan Hollandois, & pour pendant une Paysanne, chacun d'eux est vu jusqu'aux genoux, l'homme est occupé à fumer, & la femme a un verre à la main; ces deux tableaux, par A. van Ostade, sont très-agréables: haut 7 pouc, larg. pouc. 6 lig'.
Simon-François Dufresne; Pérignon and Chariot, Paris, 26 March 1816, lot 32, where acquired by,
Alexis-Nicolas Pérignon (1785-1864).
Max Flersheim (1849-1922), Paris, by 1906, from whom presumably acquired in March 1918 en bloc with a collection of 80 paintings by a consortium of,
Wilhelm Hansen, Herman Heilbuth and Winkel & Magnussen, Copenhagen.
Private collection, Pennsylvania.
Anonymous sale; Freemans, Philadelphia, 22 February 2022, lot 4, where acquired by the present owner.
出版
C. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, III, London, 1910, pp. 193-194 and 208, nos. 177 and 222.
展览
Amsterdam, Frederik Muller & Cie., L'Exposition de Maîtres Hollandais du XVIIe Siècle, 10 July-15 September 1906, no. 99 (lent by Max Flersheim).

荣誉呈献

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Day Sale

拍品专文


One of the foremost genre painters of seventeenth-century Holland, Adriaen van Ostade is recorded as having started his career as a pupil of Frans Hals in Haarlem, at the same time as Adriaen Brouwer (1605-1638). It was these two artists, and Brouwer in particular, who inspired van Ostade to develop his lively, sometimes raucous scenes of smoking, drinking and carousing peasants in their village surroundings. From the 1640s onwards, however, he began to endow his figures with greater restraint and dignity, his palette becoming richer and his chiaroscuro stronger.

This spirited pair of pictures present a couple engaged in qquotidian activities, smoking and drinking. Although art of the time tended to use these vices for moralising purposes, Ostade’s depiction is relatively sympathetic, presenting two sitters enjoying simple pleasures. Each painting includes a table; the man’s has a brazier to light his pipe, and the woman’s with a plate laden with food. The placement at the inside edge of each composition suggests some spatial commonality and shared pleasures. A very similar smart red jacket, white shirt and blue skirt reappear in an exquisite painting by van Ostade formerly in the Rothschild collection and sold Christie’s, New York, 29 January 2014, lot 9. The colourful garments enhance the spirit and vibrancy of the paintings.

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