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Masterpieces: The Private Collection of S.I. Newhouse
PABLO PICASSO (1881-1973)
Tête de femme (Fernande)
细节
PABLO PICASSO (1881-1973)
Tête de femme (Fernande)
signed 'Picasso' (on the side of the neck)
bronze with dark brown patina
Height: 16 1⁄8 in. (40.8 cm.)
Conceived in 1909
Tête de femme (Fernande)
signed 'Picasso' (on the side of the neck)
bronze with dark brown patina
Height: 16 1⁄8 in. (40.8 cm.)
Conceived in 1909
来源
(probably) Ambroise Vollard, Paris.
René and Jeanne Gaffé, Paris and Cagnes-sur-Mer (by 1960); Estate sale, Christie’s, New York, 6 November 2001, lot 7 (auction record for a sculpture by the artist at the time of sale).
Private collection (acquired at the above sale).
Acquired from the above by the late owner, 10 February 2004.
René and Jeanne Gaffé, Paris and Cagnes-sur-Mer (by 1960); Estate sale, Christie’s, New York, 6 November 2001, lot 7 (auction record for a sculpture by the artist at the time of sale).
Private collection (acquired at the above sale).
Acquired from the above by the late owner, 10 February 2004.
出版
G. Stein, "Pablo Picasso" in Camera Work, August 1912, pp. 29-30 (another cast illustrated, pp. 36-37).
C. Zervos, "Sculptures des peintres d'aujourd'hui" in Cahiers d'Art, vol. 7, 1928, p. 286 (another cast illustrated).
C. Giedion-Welcker, Moderne Plastik: Elemente der Wirklichkeit, Masse und Auflockerung, Zurich, 1937, p. 157 (another cast illustrated, p. 37).
J. González, "Picasso sculpteur" in Cahiers d'Art, 11 January 1937, p. 189.
C. Zervos, Histoire de l'art contemporain, Paris, 1938, p. 298 (another cast illustrated).
J. Cassou, Picasso, New York, 1940, p. 159 (another cast illustrated).
H.F. Mackenzie, Understanding Picasso: A Study of His Styles and Development, Chicago, 1940 (another cast illustrated, pl. VI).
A.M. Frankfurter, "341 Documents of Modern Art: The Chrysler Collection" in Art News, vol. 39, 18 January 1941, p. 18 (another cast illustrated).
C. Zervos, Pablo Picasso, Paris, 1942, vol. 2**, no. 573 (another cast illustrated, pl. 266).
A.H. Barr, Jr., Picasso: Fifty Years of His Art, New York, 1946, p. 69 (another cast illustrated).
R. Gaffé, "Sculpteur, Picasso?" in Artes, vol. 2, nos. 3-4, 1947-1948, pp. 36-37.
J. Gómez Sicre, "Picasso" in Norte, vol. 8, March 1948, p. 17 (another cast illustrated).
D.-H. Kahnweiler, Les sculptures de Picasso, Paris, 1949 (another cast illustrated, pl. 8; dated 1910).
M. Gieure, Initiation à l'oeuvre de Picasso, Paris, 1951, p. 337 (other casts illustrated, figs. 131-132; dated 1907 and titled Tête d'homme).
A.C. Ritchie, Sculpture of the Twentieth Century, New York, 1952, pp. 130-131 (another cast illustrated).
G.C. Argan, Scultura di Picasso, Venice, 1953 (another cast illustrated, pl. VI).
W. Boeck and J. Sabartés, Picasso, Stuttgart, 1955, p. 426, no. 54 (another cast illustrated; dated 1910).
C. Gideon-Welcker, Contemporary Sculpture: An Evolution in Volume and Space, New York, 1955, p. 40 (another cast illustrated, p. 41).
J. Camón Aznar, Picasso y el Cubismo, Madrid, 1956, pp. 660 and 731 (another cast illustrated, fig. 540; dated 1907 and titled Cabeza de hombre).
F. Elgar and R. Maillard, Picasso: A Study of His Works, New York, 1956, p. 65 (another cast illustrated).
H. Read, The Art of Sculpture, New York, 1956, p. 111 (another cast illustrated, pl. 191).
S. Hunter, Picasso: Cubism to the Present, New York, 1957 (another cast illustrated).
R. Penrose, Picasso: His Life and His Work, New York, 1958, p. 240 (another cast illustrated, pl. VI-4).
J. Golding, Cubism: A History and an Analysis, 1907-1914, New York, 1959, pp. 81-83 (another cast illustrated, fig. 6).
D. Chevalier, "La collection de René Gaffé dans sa maison du Haut-de-Cagnes" in Aujourd'hui art et architecture, vol. 5, no. 25, February 1960, p. 32 (illustrated in situ in the Gaffé's residence).
C. Giedion-Welcker, Contemporary Sculpture: An Evolution in Volume and Space, New York, 1960, pp. XI and 46 (another cast illustrated, p. 47).
J. Padrta, Picasso: The Early Years, New York, 1960, no. 11 (another cast illustrated in color).
R. Rosenblum, Cubism and Twentieth-Century Art, New York, 1960, pp. 262, 265 and 324 (another cast illustrated, p. 269, fig. 188).
H.L.C. Jaffé, Pablo Picasso, New York, 1964, p. 17 (another cast illustrated, fig. 15).
H. Read, A Concise History of Modern Sculpture, New York, 1964, p. 62 (another cast illustrated, p. 60, pl. 54; dated 1909-1910).
A.H. Barr, Jr., Picasso: Fifty Years of His Art, exh. cat., The Museum of Modern Art, New York, 1966, p. 69 (another cast illustrated).
H.L.C. Jaffé, Pablo Picasso, Paris, 1967, p. 15 (another cast illustrated, fig. 15).
F. Licht, Sculpture: 19th and 20th Centuries, New York, 1967, p. 332, no. 219 (another cast illustrated).
M. de Micheli, Picasso, New York, 1967, p. 33 (another cast illustrated, p. 17).
R. Penrose, The Sculpture of Picasso, exh. cat., The Museum of Modern Art, New York, 1967, pp. 41 and 57 (another cast illustrated, p. 56).
B. Farrell, "His Women: The Wonder is that He Found so much Time to Paint" in Life Magazine, vol. 65, 27 December 1968, p. 64 (another cast illustrated).
J. Golding, Cubism: A History and an Analysis, 1907-1914, London, 1968, pp. 81-83 and 169 (another cast illustrated, fig. 6).
A.E. Elsen, "The Many Faces of Picasso's Sculpture" in Art International, vol. XII, no. 6, summer 1969, p. 26 (another cast illustrated).
R. Goldwater, What is Modern Sculpture?, New York, 1969, pp. 42-43, 45 and 145 (another cast illustrated, p. 42).
A.M. Hammacher, The Evolution of Modern Sculpture: Tradition and Innovation, New York, 1969, p. 102 (another cast illustrated, fig. 108).
N. Wadley, Cubism, New York, 1970, p. 119, no. 130 (another cast illustrated).
H. Greenfeld, Pablo Picasso: An Introduction, Chicago, 1971, p. 96 (another cast illustrated).
W. Spies, Sculpture by Picasso with a Catalogue of the Works, London, 1971, p. 302, no. 24 (another cast illustrated, pp. 42-43).
P.W. Schwartz, Cubism, New York, 1971, p. 150, no. 102 (another cast illustrated).
F. Minervino and F. Russoli, L'opera completa di Picasso cubista, Milan, 1972, p. 102, no. 296 (another cast illustrated, p. 101).
W. Rubin, ed., Picasso in the Collection of The Museum of Modern Art, exh. cat., The Museum of Modern Art, New York, 1972, p. 61 (another cast illustrated).
J. Warnod, Washboat Days, New York, 1972, p. 195 (plaster version illustrated).
J.-L. Daval, Journal de l'art moderne, 1884-1914, Geneva, 1973, p. 268 (another cast illustrated).
C. Justice, "Picasso's Art Sheds Life" in Ledger Star, 16 June 1973, p. A7 (another cast illustrated).
M. Kozloff, Cubism/Futurism, New York, 1973, p. 61 (another cast illustrated, p. 62, fig. 19).
R. Penrose and J. Golding, eds., Picasso in Retrospect, New York, 1973, p. 129, no. 212 (another cast illustrated).
A.E. Elsen, Origins of Modern Sculpture: Pioneers and Premises, New York, 1974, p. 46, no. 62 (another cast illustrated).
D. Porzio and M. Valsecchi, Understanding Picasso, New York, 1974, p. 62 (another cast illustrated).
D. Thomas, Picasso and His Art, New York, 1975, p. 38 (another cast illustrated, pl. 26).
F.A. Baumann, Pablo Picasso: Leben und Werk, Stuttgart, 1976, pp. 58 and 206 (another cast illustrated, p. 57, pl. 98).
R. Johnson, The Early Sculpture of Picasso, 1901-1914, PhD. Diss., University of California, Berkeley, 1976, pp. 101-105, 112-113, 167 and 231, no. 23 (another cast illustrated, fig. 84).
R. Rosenblum, Cubism and Twentieth Century Art, New York, 1976, p. 343, no. 188 (another cast illustrated).
P. Daix and J. Rosselet, Picasso: The Cubist Years, 1907-1916, Boston, 1979, p. 67 (another cast illustrated).
R. Penrose, Picasso: His Life and Work, Berkeley, 1981, p. 154, no. 4 (another cast illustrated, pl. VI).
P. Daix, Cubists and Cubism, New York, 1982, p. 49 (another cast illustrated).
W. Spies, Picasso: Das Plastiche Werk, Stuttgart, 1983, p. 327, no. 24 (another cast illustrated, pp. 48-49 and 327).
H.H. Arnason, History of Modern Art: Painting, Sculpture, Architecture, Photography, New York, 1986, p. 152, no. 217 (another cast illustrated).
M.-L. Bernadac and P. de Bouchet, Picasso: Le sage et le fou, Paris, 1986, p. 81 (another cast illustrated in color, p. 80, fig. 1).
W. Fleming, Arts and Ideas, New York, 1986, p. 432, no. 490 (another cast illustrated).
G. Boudaille, M.-L. Bernadac and M.-P. Gauthier, Picasso, New York, 1987, p. 46, no. 66 (another cast illustrated).
J. Golding, Cubism: A History and an Analysis, 1907-1914, Cambridge, Massachusetts, 1988, p. 81 (another cast illustrated, pl. 10).
A.M. Hammacher, Modern Sculpture: Tradition and Innovation, New York, 1988, p. 102, no. 108 (another cast illustrated).
F. Olivier, Souvenirs intimes: Ecrits pour Picasso, Geneva, 1988, pp. 128-129 (another cast illustrated in situ in the artist's studio).
R.L. Sommer, Picasso, New York, 1988, p. 14 (another cast illustrated in color).
A. Podoksik, Picasso: La quête perpétuelle, Paris, 1989, pp. 104, 108 and 184 (other casts illustrated, pp. 108 and 184).
J. Gutiérrez Burón, Las claves del arte cubista: Cómo interpretarlo, Madrid, 1990.
J. Palau i Fabre, Picasso: Cubism, 1907-1917, New York, 1990, p. 502, no. 433 (another cast illustrated, p. 152).
P.-G. Persin, Daniel-Henry Kahnweiler: L'aventure d'un grand marchand, Paris, 1990, p. 57 (another cast illustrated; dated 1910).
R. Bernier, Matisse, Picasso, Miró As I Knew Them, New York, 1991, pp. 168-169 (another cast illustrated, p. 169).
C.-P. Warncke, Pablo Picasso, Cologne, 1991, vol. I, p. 184 (another cast illustrated in color).
C. Poggi, In Defiance of Painting: Cubism, Futurism, and the Invention of Collage, New Haven, 1992, pp. 33-34, no. 30 (another cast illustrated, p. 33).
A. Brighton and A. Klimowski, Picasso for Beginners, New York, 1995, p. 61 (another cast illustrated).
P. Cooper, Cubism, London, 1995, p. 14 (another cast illustrated, fig. 5).
P. Daix, Dictionnaire Picasso, Paris, 1995, pp. 145, 199, 322, 331, 339, 560, 608, 695, 821-822, 864-865 and 867, no. III.
P. Daix et al., Picasso et le portrait, exh. cat., The Museum of Modern Art, New York, 1996, pp. 276-278 (another cast illustrated, p. 276).
H.L.C. Jaffé, Pablo Picasso, New York, 1996, p. 17, no. 15 (another cast illustrated).
J. Palau i Fabre, Picasso: Cubism, 1907-1917, Barcelona, 1996, p. 153, no. 433 (another cast illustrated, p. 152).
A. Podoksik, Pablo Picasso: The Creative Eye from 1881-1914, Bournemouth, 1996, p. 136 (another cast illustrated).
J. Richardson, A Life of Picasso, 1907-1917, New York, 1996, vol. II, pp. 139, 141, 308, 454 and 467 (another cast illustrated, p. 138; plaster version illustrated, p. 141).
C. Vogel, "32 Works of Art by Masters Left to Met and the Modern" in The New York Times, 25 November 1996, p. C12.
N. Cox, Cubism, London, 2000, p. 122, no. 66 (another cast illustrated in color, p. 123).
M. Schneckenburger, Art of the 20th Century, New York, 2000, vol. II, p. 429 (another cast illustrated).
W. Spies and C. Piot, Picasso Sculpteur, exh. cat., Musée national d'art moderne, Centre Georges Pompidou, Paris, 2000, p. 395, no. 24 (another cast illustrated, p. 347).
I.F. Walther, Pablo Picasso: Genius of the Century, New York, 2000, p. 46 (another cast illustrated).
P. Cabanne, Le Cubisme, Paris, 2001, p. 42 (another cast illustrated in color, p. 43).
E. Cowling, Picasso: Style and Meaning, New York, 2002, pp. 212-213 and 220 (another cast illustrated in color, p. 213, no. 182).
M. del Carmen González and S. Harwood Rubin, Looking at Matisse and Picasso, exh. cat., The Museum of Modern Art, New York, 2003, pp. 64-65 (another cast illustrated in color, p. 66).
P. Karmel, Picasso and the Invention of Cubism, New Haven, 2003, pp. 64, 66-69, 73, 123, 168 and 207 (another cast illustrated, figs. 78-79).
V.J. Fletcher, "Process and Technique in Picasso's Head of a Woman (Fernande)" in Picasso: The Cubist Portraits of Fernande Olivier, exh. cat., National Gallery of Art, Washington, D.C., 2004, pp. 166-191 (plaster versions and details of the plaster versions illustrated in color, p. 167, figs. 1-2, p. 169, figs. 3 and 4a-4b, p. 170, figs. 5a-5b, p. 174, fig. 8 and p. 182, fig. 10; plaster version illustrated in situ in the artist's studio, p. 182, fig. 9; another cast illustrated in color, p. 188, fig. 12; underside of another cast illustrated in color, p. 188, fig. 11).
P. Štěpánek, Picasso en Praga, Madrid, 2005, p. 80, no. 18 (another cast illustrated in color, fig. 12).
S. Gohr, Pablo Picasso: Leben und Werk, Ich suche nicht, ich finde, Cologne, 2006, p. 20 (another cast illustrated in color).
D. Widmaier Picasso, "Vollard and the Sculptures of Picasso" in Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, exh. cat., The Metropolitan Museum of Art, New York, 2006, pp. 182 and 185-186 (another cast illustrated in color, fig. 198).
G. Clemenz-Kirsch, Die sieben Leben des Pablo Picasso, Halle, 2007, p. 37 (another cast illustrated).
B. Schaefer, ed., 1912 Mission Moderne: Die Jahrhundertschau des Sonderbundes, Cologne, 2012, p. 126 (another cast illustrated, fig. 9).
R. Smith, "A Trans-Atlantic View of Modernism" in The New York Times, 9 January 2015, p. C30.
A. Temkin and A. Umland, Picasso Sculpture, exh. cat., The Museum of Modern Art, New York, 2015, p. 51 (plaster version illustrated in color, p. 59, fig. 15; another cast illustrated in situ in Prague in 1913, p. 59, fig. 16 and p. 60, fig. 18; another cast illustrated in Camera Work in 1912, p. 59, fig. 17; another cast illustrated in color, pp. 68-69, no. 11).
R. Leonardi and D. Pullen, Picasso’s Sculpture Head of a Woman (Fernande) 1909: A Collaborative Technical Study (www.museepicassoparis.fr), 25 March 2016, pp. 1-9 (plasters illustrated in color, p. 8, fig. 1; details of plasters and other casts illustrated in color, p. 8, figs 3 and 4; another cast illustrated in color in situ in the artist's studio; accessed April 2026).
O. Widmaier Picasso, Picasso: An Intimate Portrait, London, 2018, p. 31 (another cast illustrated in color, p. 30).
M. Hollein, Modern and Contemporary Art in The Metropolitan Museum of Art, New York, 2019, p. 15 (another cast illustrated in color).
C. Zervos, "Sculptures des peintres d'aujourd'hui" in Cahiers d'Art, vol. 7, 1928, p. 286 (another cast illustrated).
C. Giedion-Welcker, Moderne Plastik: Elemente der Wirklichkeit, Masse und Auflockerung, Zurich, 1937, p. 157 (another cast illustrated, p. 37).
J. González, "Picasso sculpteur" in Cahiers d'Art, 11 January 1937, p. 189.
C. Zervos, Histoire de l'art contemporain, Paris, 1938, p. 298 (another cast illustrated).
J. Cassou, Picasso, New York, 1940, p. 159 (another cast illustrated).
H.F. Mackenzie, Understanding Picasso: A Study of His Styles and Development, Chicago, 1940 (another cast illustrated, pl. VI).
A.M. Frankfurter, "341 Documents of Modern Art: The Chrysler Collection" in Art News, vol. 39, 18 January 1941, p. 18 (another cast illustrated).
C. Zervos, Pablo Picasso, Paris, 1942, vol. 2**, no. 573 (another cast illustrated, pl. 266).
A.H. Barr, Jr., Picasso: Fifty Years of His Art, New York, 1946, p. 69 (another cast illustrated).
R. Gaffé, "Sculpteur, Picasso?" in Artes, vol. 2, nos. 3-4, 1947-1948, pp. 36-37.
J. Gómez Sicre, "Picasso" in Norte, vol. 8, March 1948, p. 17 (another cast illustrated).
D.-H. Kahnweiler, Les sculptures de Picasso, Paris, 1949 (another cast illustrated, pl. 8; dated 1910).
M. Gieure, Initiation à l'oeuvre de Picasso, Paris, 1951, p. 337 (other casts illustrated, figs. 131-132; dated 1907 and titled Tête d'homme).
A.C. Ritchie, Sculpture of the Twentieth Century, New York, 1952, pp. 130-131 (another cast illustrated).
G.C. Argan, Scultura di Picasso, Venice, 1953 (another cast illustrated, pl. VI).
W. Boeck and J. Sabartés, Picasso, Stuttgart, 1955, p. 426, no. 54 (another cast illustrated; dated 1910).
C. Gideon-Welcker, Contemporary Sculpture: An Evolution in Volume and Space, New York, 1955, p. 40 (another cast illustrated, p. 41).
J. Camón Aznar, Picasso y el Cubismo, Madrid, 1956, pp. 660 and 731 (another cast illustrated, fig. 540; dated 1907 and titled Cabeza de hombre).
F. Elgar and R. Maillard, Picasso: A Study of His Works, New York, 1956, p. 65 (another cast illustrated).
H. Read, The Art of Sculpture, New York, 1956, p. 111 (another cast illustrated, pl. 191).
S. Hunter, Picasso: Cubism to the Present, New York, 1957 (another cast illustrated).
R. Penrose, Picasso: His Life and His Work, New York, 1958, p. 240 (another cast illustrated, pl. VI-4).
J. Golding, Cubism: A History and an Analysis, 1907-1914, New York, 1959, pp. 81-83 (another cast illustrated, fig. 6).
D. Chevalier, "La collection de René Gaffé dans sa maison du Haut-de-Cagnes" in Aujourd'hui art et architecture, vol. 5, no. 25, February 1960, p. 32 (illustrated in situ in the Gaffé's residence).
C. Giedion-Welcker, Contemporary Sculpture: An Evolution in Volume and Space, New York, 1960, pp. XI and 46 (another cast illustrated, p. 47).
J. Padrta, Picasso: The Early Years, New York, 1960, no. 11 (another cast illustrated in color).
R. Rosenblum, Cubism and Twentieth-Century Art, New York, 1960, pp. 262, 265 and 324 (another cast illustrated, p. 269, fig. 188).
H.L.C. Jaffé, Pablo Picasso, New York, 1964, p. 17 (another cast illustrated, fig. 15).
H. Read, A Concise History of Modern Sculpture, New York, 1964, p. 62 (another cast illustrated, p. 60, pl. 54; dated 1909-1910).
A.H. Barr, Jr., Picasso: Fifty Years of His Art, exh. cat., The Museum of Modern Art, New York, 1966, p. 69 (another cast illustrated).
H.L.C. Jaffé, Pablo Picasso, Paris, 1967, p. 15 (another cast illustrated, fig. 15).
F. Licht, Sculpture: 19th and 20th Centuries, New York, 1967, p. 332, no. 219 (another cast illustrated).
M. de Micheli, Picasso, New York, 1967, p. 33 (another cast illustrated, p. 17).
R. Penrose, The Sculpture of Picasso, exh. cat., The Museum of Modern Art, New York, 1967, pp. 41 and 57 (another cast illustrated, p. 56).
B. Farrell, "His Women: The Wonder is that He Found so much Time to Paint" in Life Magazine, vol. 65, 27 December 1968, p. 64 (another cast illustrated).
J. Golding, Cubism: A History and an Analysis, 1907-1914, London, 1968, pp. 81-83 and 169 (another cast illustrated, fig. 6).
A.E. Elsen, "The Many Faces of Picasso's Sculpture" in Art International, vol. XII, no. 6, summer 1969, p. 26 (another cast illustrated).
R. Goldwater, What is Modern Sculpture?, New York, 1969, pp. 42-43, 45 and 145 (another cast illustrated, p. 42).
A.M. Hammacher, The Evolution of Modern Sculpture: Tradition and Innovation, New York, 1969, p. 102 (another cast illustrated, fig. 108).
N. Wadley, Cubism, New York, 1970, p. 119, no. 130 (another cast illustrated).
H. Greenfeld, Pablo Picasso: An Introduction, Chicago, 1971, p. 96 (another cast illustrated).
W. Spies, Sculpture by Picasso with a Catalogue of the Works, London, 1971, p. 302, no. 24 (another cast illustrated, pp. 42-43).
P.W. Schwartz, Cubism, New York, 1971, p. 150, no. 102 (another cast illustrated).
F. Minervino and F. Russoli, L'opera completa di Picasso cubista, Milan, 1972, p. 102, no. 296 (another cast illustrated, p. 101).
W. Rubin, ed., Picasso in the Collection of The Museum of Modern Art, exh. cat., The Museum of Modern Art, New York, 1972, p. 61 (another cast illustrated).
J. Warnod, Washboat Days, New York, 1972, p. 195 (plaster version illustrated).
J.-L. Daval, Journal de l'art moderne, 1884-1914, Geneva, 1973, p. 268 (another cast illustrated).
C. Justice, "Picasso's Art Sheds Life" in Ledger Star, 16 June 1973, p. A7 (another cast illustrated).
M. Kozloff, Cubism/Futurism, New York, 1973, p. 61 (another cast illustrated, p. 62, fig. 19).
R. Penrose and J. Golding, eds., Picasso in Retrospect, New York, 1973, p. 129, no. 212 (another cast illustrated).
A.E. Elsen, Origins of Modern Sculpture: Pioneers and Premises, New York, 1974, p. 46, no. 62 (another cast illustrated).
D. Porzio and M. Valsecchi, Understanding Picasso, New York, 1974, p. 62 (another cast illustrated).
D. Thomas, Picasso and His Art, New York, 1975, p. 38 (another cast illustrated, pl. 26).
F.A. Baumann, Pablo Picasso: Leben und Werk, Stuttgart, 1976, pp. 58 and 206 (another cast illustrated, p. 57, pl. 98).
R. Johnson, The Early Sculpture of Picasso, 1901-1914, PhD. Diss., University of California, Berkeley, 1976, pp. 101-105, 112-113, 167 and 231, no. 23 (another cast illustrated, fig. 84).
R. Rosenblum, Cubism and Twentieth Century Art, New York, 1976, p. 343, no. 188 (another cast illustrated).
P. Daix and J. Rosselet, Picasso: The Cubist Years, 1907-1916, Boston, 1979, p. 67 (another cast illustrated).
R. Penrose, Picasso: His Life and Work, Berkeley, 1981, p. 154, no. 4 (another cast illustrated, pl. VI).
P. Daix, Cubists and Cubism, New York, 1982, p. 49 (another cast illustrated).
W. Spies, Picasso: Das Plastiche Werk, Stuttgart, 1983, p. 327, no. 24 (another cast illustrated, pp. 48-49 and 327).
H.H. Arnason, History of Modern Art: Painting, Sculpture, Architecture, Photography, New York, 1986, p. 152, no. 217 (another cast illustrated).
M.-L. Bernadac and P. de Bouchet, Picasso: Le sage et le fou, Paris, 1986, p. 81 (another cast illustrated in color, p. 80, fig. 1).
W. Fleming, Arts and Ideas, New York, 1986, p. 432, no. 490 (another cast illustrated).
G. Boudaille, M.-L. Bernadac and M.-P. Gauthier, Picasso, New York, 1987, p. 46, no. 66 (another cast illustrated).
J. Golding, Cubism: A History and an Analysis, 1907-1914, Cambridge, Massachusetts, 1988, p. 81 (another cast illustrated, pl. 10).
A.M. Hammacher, Modern Sculpture: Tradition and Innovation, New York, 1988, p. 102, no. 108 (another cast illustrated).
F. Olivier, Souvenirs intimes: Ecrits pour Picasso, Geneva, 1988, pp. 128-129 (another cast illustrated in situ in the artist's studio).
R.L. Sommer, Picasso, New York, 1988, p. 14 (another cast illustrated in color).
A. Podoksik, Picasso: La quête perpétuelle, Paris, 1989, pp. 104, 108 and 184 (other casts illustrated, pp. 108 and 184).
J. Gutiérrez Burón, Las claves del arte cubista: Cómo interpretarlo, Madrid, 1990.
J. Palau i Fabre, Picasso: Cubism, 1907-1917, New York, 1990, p. 502, no. 433 (another cast illustrated, p. 152).
P.-G. Persin, Daniel-Henry Kahnweiler: L'aventure d'un grand marchand, Paris, 1990, p. 57 (another cast illustrated; dated 1910).
R. Bernier, Matisse, Picasso, Miró As I Knew Them, New York, 1991, pp. 168-169 (another cast illustrated, p. 169).
C.-P. Warncke, Pablo Picasso, Cologne, 1991, vol. I, p. 184 (another cast illustrated in color).
C. Poggi, In Defiance of Painting: Cubism, Futurism, and the Invention of Collage, New Haven, 1992, pp. 33-34, no. 30 (another cast illustrated, p. 33).
A. Brighton and A. Klimowski, Picasso for Beginners, New York, 1995, p. 61 (another cast illustrated).
P. Cooper, Cubism, London, 1995, p. 14 (another cast illustrated, fig. 5).
P. Daix, Dictionnaire Picasso, Paris, 1995, pp. 145, 199, 322, 331, 339, 560, 608, 695, 821-822, 864-865 and 867, no. III.
P. Daix et al., Picasso et le portrait, exh. cat., The Museum of Modern Art, New York, 1996, pp. 276-278 (another cast illustrated, p. 276).
H.L.C. Jaffé, Pablo Picasso, New York, 1996, p. 17, no. 15 (another cast illustrated).
J. Palau i Fabre, Picasso: Cubism, 1907-1917, Barcelona, 1996, p. 153, no. 433 (another cast illustrated, p. 152).
A. Podoksik, Pablo Picasso: The Creative Eye from 1881-1914, Bournemouth, 1996, p. 136 (another cast illustrated).
J. Richardson, A Life of Picasso, 1907-1917, New York, 1996, vol. II, pp. 139, 141, 308, 454 and 467 (another cast illustrated, p. 138; plaster version illustrated, p. 141).
C. Vogel, "32 Works of Art by Masters Left to Met and the Modern" in The New York Times, 25 November 1996, p. C12.
N. Cox, Cubism, London, 2000, p. 122, no. 66 (another cast illustrated in color, p. 123).
M. Schneckenburger, Art of the 20th Century, New York, 2000, vol. II, p. 429 (another cast illustrated).
W. Spies and C. Piot, Picasso Sculpteur, exh. cat., Musée national d'art moderne, Centre Georges Pompidou, Paris, 2000, p. 395, no. 24 (another cast illustrated, p. 347).
I.F. Walther, Pablo Picasso: Genius of the Century, New York, 2000, p. 46 (another cast illustrated).
P. Cabanne, Le Cubisme, Paris, 2001, p. 42 (another cast illustrated in color, p. 43).
E. Cowling, Picasso: Style and Meaning, New York, 2002, pp. 212-213 and 220 (another cast illustrated in color, p. 213, no. 182).
M. del Carmen González and S. Harwood Rubin, Looking at Matisse and Picasso, exh. cat., The Museum of Modern Art, New York, 2003, pp. 64-65 (another cast illustrated in color, p. 66).
P. Karmel, Picasso and the Invention of Cubism, New Haven, 2003, pp. 64, 66-69, 73, 123, 168 and 207 (another cast illustrated, figs. 78-79).
V.J. Fletcher, "Process and Technique in Picasso's Head of a Woman (Fernande)" in Picasso: The Cubist Portraits of Fernande Olivier, exh. cat., National Gallery of Art, Washington, D.C., 2004, pp. 166-191 (plaster versions and details of the plaster versions illustrated in color, p. 167, figs. 1-2, p. 169, figs. 3 and 4a-4b, p. 170, figs. 5a-5b, p. 174, fig. 8 and p. 182, fig. 10; plaster version illustrated in situ in the artist's studio, p. 182, fig. 9; another cast illustrated in color, p. 188, fig. 12; underside of another cast illustrated in color, p. 188, fig. 11).
P. Štěpánek, Picasso en Praga, Madrid, 2005, p. 80, no. 18 (another cast illustrated in color, fig. 12).
S. Gohr, Pablo Picasso: Leben und Werk, Ich suche nicht, ich finde, Cologne, 2006, p. 20 (another cast illustrated in color).
D. Widmaier Picasso, "Vollard and the Sculptures of Picasso" in Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, exh. cat., The Metropolitan Museum of Art, New York, 2006, pp. 182 and 185-186 (another cast illustrated in color, fig. 198).
G. Clemenz-Kirsch, Die sieben Leben des Pablo Picasso, Halle, 2007, p. 37 (another cast illustrated).
B. Schaefer, ed., 1912 Mission Moderne: Die Jahrhundertschau des Sonderbundes, Cologne, 2012, p. 126 (another cast illustrated, fig. 9).
R. Smith, "A Trans-Atlantic View of Modernism" in The New York Times, 9 January 2015, p. C30.
A. Temkin and A. Umland, Picasso Sculpture, exh. cat., The Museum of Modern Art, New York, 2015, p. 51 (plaster version illustrated in color, p. 59, fig. 15; another cast illustrated in situ in Prague in 1913, p. 59, fig. 16 and p. 60, fig. 18; another cast illustrated in Camera Work in 1912, p. 59, fig. 17; another cast illustrated in color, pp. 68-69, no. 11).
R. Leonardi and D. Pullen, Picasso’s Sculpture Head of a Woman (Fernande) 1909: A Collaborative Technical Study (www.museepicassoparis.fr), 25 March 2016, pp. 1-9 (plasters illustrated in color, p. 8, fig. 1; details of plasters and other casts illustrated in color, p. 8, figs 3 and 4; another cast illustrated in color in situ in the artist's studio; accessed April 2026).
O. Widmaier Picasso, Picasso: An Intimate Portrait, London, 2018, p. 31 (another cast illustrated in color, p. 30).
M. Hollein, Modern and Contemporary Art in The Metropolitan Museum of Art, New York, 2019, p. 15 (another cast illustrated in color).
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Philadelphia Museum of Art, 2003-2004 (on loan).
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The Comité Picasso has confirmed the authenticity of this work.
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Rachael White Young
Senior Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale
