Albers’s textiles are celebrated for their formal clarity, tactile sophistication and inventive use of natural and industrial fibres. She approached weaving as a medium of intellectual and aesthetic exploration, blending geometry, repetition and subtle colour harmonies to produce works that are simultaneously functional and sculptural. Her wall hangings, rugs and fabric designs challenged traditional hierarchies between craft and fine art, asserting textiles as a central medium of modernist innovation.
Following the closure of the Bauhaus in 1933, Albers emigrated to the United States with her husband, Josef Albers, and taught at Black Mountain College in North Carolina. There she influenced a generation of students, while continuing to expand her practice to include both large architectural textiles and small experimental samples.
A prolific writer, Albers articulated her philosophy of textiles in On Weaving (1965), emphasising the intimate connection between material, technique and visual perception. Her works are held in major collections, including the Museum of Modern Art, Metropolitan Museum of Art, and Art Institute of Chicago. Today, Anni Albers is celebrated as a pioneering figure who bridged craft, design and fine art, leaving a legacy that continues to inspire contemporary artists and makers worldwide.
Anni Albers (1899-1994)
Untitled
Anni Albers (1899-1994)
Untitled
ANNI ALBERS (1899-1994)
Second Movement I-VI
ANNI ALBERS (1899-1994)
Untitled (Do. I-VI)
ANNI ALBERS (1899-1994)
Do. I-VI
Anni Albers (1899-1994)
Triadic nr. I
ANNI ALBERS (1899-1994)
Yellow Meander
ANNI ALBERS (1899-1994)
Camino Real
ANNI ALBERS (1899-1994)
F, from Triadic Series
ANNI ALBERS (1899-1994)
Second Movement : two prints
Anni Albers (1899-1994)
Untitled
ANNI ALBERS (1899-1994)
J.H.A. II
ANNI ALBERS (1899-1994)
Double impression II
ANNI ALBERS (1899-1994)
Double Impression IV
ANNI ALBERS (1899-1994)
Do IV
ANNI ALBERS (1899-1994)
J.H.A. I
ANNI ALBERS (1899-1994)
Double Impression III
ANNI ALBERS (1899-1994)
Double Impression I