二十及二十一世紀藝術晚間拍賣

Valérie Didier is a Specialist and Head of Sale at the Impressionist and Modern Art department, based in Paris. She began her career at Christie's in 2005. Prior to her current position, Valérie has worked in London in the Collections department and Impressionist and Modern Art department, as well as the Russian Art department in Paris, before becoming the Business Director at the Christie's Dubai office. She oversaw the bi-annual sales of Middle Eastern Modern and Contemporary Art and Important Watches for over eight years.

Under Valérie’s leadership, the two Parisian spotlight sales Art Moderne and Art Impressionniste et Moderne have consistently achieved strong sell-through rates of over 80% by lot and by value. One of her most remarkable successes included the white-glove sale of the Hessel collection of Bonnard and Vuillard paintings in 2018, selling 100% by lot and exceeding its pre-sale high estimate to make a total of over €5.3 million. Valérie was also responsible for the record price for a work by Jeanne Hébuterne (€478,000 sold in March 2019, nearly eight times its pre-sale low estimate) and the 1889 self-portrait by Emile Bernard, acquired by the Musée d’Orsay in October 2019 (sold for €778,000, almost double its pre-sale low estimate).

In December 2016, Valérie co-authored with Alexandrian collector Dr. Hussam Rashwan the first catalogue raisonné on any artist from the Middle East, the founder of Modern Egyptian Art, Mahmoud Saïd (1897–¬1964), published by SKIRA. Due to her mutli-cultural upbringing, Valérie speaks fluently English, French and Italian. She also has an intermediate level in German and is currently learning Arabic.

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Spécialiste et directrice des ventes du département Art Impressionniste et Moderne à Paris, Valérie Didier débuta sa carrière chez Christie's en 2005. Avant d'occuper sa position actuelle à Paris, Valérie travaillait à Londres dans les départements de Collections et Art impressionniste et Moderne, puis à Paris au département d’Art Russe avant de devenir Directrice Commerciale chez Christie’s Dubai. Elle y supervisa les ventes bi-annuelles de Middle Eastern Modern and Contemporary Art et Important Watches pendant plus de huit ans. Sous sa direction, nos deux ventes phares à Paris, Art Moderne et Art impressionniste et moderne ont constamment accompli des taux records de vente de plus de 80% par lot et valeur. Un de ses plus grands succès inclut la vente en gant blanc de la Collection Hessel de peintures de Bonnard et Vuillard en 2018, avec 100% des lots vendus et dépassant l'estimation haute pour totaliser plus de 5,3 millions d’euros. Valérie fût également à l’origine des prix records d’une oeuvre de Jeanne Hébuterne (vendu à 478 000 € en mars 2019, soit presque huit fois son estimation basse) et de l’autoportrait d’Emile Bernard daté de 1889, acquis par le Musée d’Orsay en octobre 2019 (vendu à 778 000€, environ le double de son estimation basse). En décembre 2016, avec le collectionneur Dr. Hussam Rashwan d’Alexandrie, Valérie co-écrit le premier catalogue raisonné d’un artiste du Moyen Orient, le fondateur de l’art moderne égyptien, Mahmoud Saïd (1897–1964), publié par SKIRA. Grâce à son éducation multiculturel, Valérie parle couramment anglais, français et italien. Elle possède également un niveau intermédiaire en allemand et apprend actuellement l’arabe.

Paul Nyzam is the Head of Evening Sale and Specialist for Post-War and Contemporary Art at Christie’s Paris, and since 2016, he has become the Co-Head for the Paris Avant-Garde sale, held annually during FIAC week. Paul is responsible for the sale of many distinguished private collections in Paris, including amongst others that of the Jean-François and Marie-Aline Prat collection in 2017, which until now still holds the auction record for a private post-war and contemporary art collection ever sold in France (€39m). The auction also saw Jean-Michel Basquiat’s Jim Crow achieve a record price in France for the year (€15m). Paul secured the consignment of Pierre Soulages’ Peinture 186 x 143 cm, 23 décembre 1959 (US$10.6m), setting a world record for the artist and for a French living artist, and he was instrumental in selling Nicolas de Staël’s Grand nu debout (US12.1m) – a record price for the artist. Both successes achieved in 2018. Paul holds a Master’s degree from the Institut d’Études Politiques de Paris (Sciences Po) and HEC Paris.
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Paul Nyzam est spécialiste senior et il co-dirige depuis 2016 la vente Paris Avant-Garde organisée pendant la semaine de la FIAC.

Commençant sa carrière chez Christie’s en 2010, Paul a été déterminant dans la dispersion de plusieurs collections importantes à Paris. En 2017, il a dirigé la vente de la collection Jean-François et Marie-Aline Prat, restant à ce jour la plus importante collection d’art d’après-guerre et contemporain vendue en France (EUR 39.5M) dont l’œuvre-phare, Jim Crow de Jean-Michel Basquiat, a été l’œuvre d’art contemporain la plus chère vendue en France cette année-là (EUR 15M).

Paul a sécurisé la vente de Peinture 186 x 143 cm, 23 décembre 1959 de Pierre Soulages, établissant un record du monde pour l’artiste (US$10.6M) et pour un artiste français vivant. Il a également eu un rôle décisif dans la vente du Grand nu debout de Nicolas de Staël (US$12.1M) en 2018 et de Barbara (ANT 113) d’Yves Klein (US$ 15.6M) en 2019.

Paul Nyzam est diplômé de l’Institut d’Études Politiques de Paris (Sciences Po) et de HEC Paris.

Renato Pennisi is a Director and Senior Specialist of Christie’s global 20/21 Century Team for Modern and Contemporary Art, based in Italy. He joined Christie’s in 2001 and signed responsible as Co-Head for Christie’s Milan auctions as of 2007.

In 2013, Renato launched a new sale format Milan Modern and Contemporary, a monographic sale focusing on the most desirable Italian artists, acclaimed alike by existing and new clients with sell through rates achieving over 90% by lot, even up to 100% result in 2015 and 2018.

In his capacity as international Specialist, Renato has achieved some exceptional auction results for Italian artists in- as well as outside of Italy. Amongst them Lucio Fontana’s Concetto spaziale, Attese sold in March 2018 for £8,671,250; and in October 2018 Concetto Spaziale, La Fine di Dio, dating from 1963 for £16,282,823, still the third highest price for the artist, Piero Manzoni’s Achrome from 1958 which sold in April 2018 for €2,970,000, still the highest price achieved for the artist in Italy), Emilio Vedova’s Cicio61/62 no. 2 sold in November 2008 for €731,600, an unbeaten artist auction record price lasting nearly for two decades, as well as Giorgio Morandi’s Natura Morta, 1939 sold in October 2015 for £2,546,500, still the second highest price at auction for the artist, and Francis Bacon’s Three Studies for a Portrait of George Dyer, sold in May 2017 $51,767,500. In 2021 Renato was instrumental for the consignment of the Collection Gerard Valkier : A lifetime journey with Art, which held many works by Italian 20/21century artists and totaled €6,572,250. A few months later in the same year, Renato signed responsible for the single owner sale Thousand Roads: A Private Collection in Rome which sold in Amsterdam and London and during the first edition of Thinking Italian in Paris in 2022, his Alighiero Boetti pink Mappa, 1979-1980 consignment set the then new world auction record for the artist, when selling for €5.6 million, doubling its mid-estimate.