THE PROPERTY OF A JAPANESE COLLECTOR
A FINE IMPERIAL FAMILLE ROSE RUBY-GROUND SMALL BOWL

細節
清雍正 胭脂紅地粉彩九秋同慶圖盌 雙方框《雍正御製》楷書款

盌撇口,圈足。盌裏無紋飾。外壁胭脂紅地上以粉彩繪桂花、菊花、秋葵、芙蓉、秋海棠等九種秋季花草。底足青花雙方框內書《雍正御製》四字楷書款。

胭脂紅底粉彩為康熙時創燒,到雍正朝色調更為勻淨艷麗。此器造型小巧精緻,胭脂紅嬌嫩欲滴,繪畫精湛,色彩艷麗,通過紅、黃、綠、藍、紫等色的濃淡變化,表現花葉的陰陽向背,富立體質感,為雍正御用瓷之精品佳作。
來源
Previously sold at Christie's Hong Kong, 5 November 1997, lot 910; The T. Y. Chao Collection, Sotheby's Hong Kong, 18 November 1986, lot 130
出版
Sotheby's Hong Kong, Twenty Years, 1993, pl. 221.

榮譽呈獻

Carrie Li
Carrie Li

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拍品專文

It is rare to find Yongzheng yuzhi marks on bowls of this design. A similarly-decorated bowl of the same size is illustrated in Chinese Art and Design, The T.T. Tsui Gallery of Chinese Art, 1991, pl. 92; another bowl of the same size but with a densely patterned floral design in the Victoria and Albert Museum is illustrated by R. Kerr, Chinese Ceramics, Porcelain of the Qing Dynasty, 1986, pl. 93; two other examples in the National Palace Museum, Taipei, decorated with the four seasonal flowers, are illustrated in Fine Enamelled Porcelain of the Ch'ing Dynasty, Yung Cheng Period, Book II, 1967, pls. 34 and 35. A bowl of a smaller size, also from the T.Y. Chao collection, sold at Christie's Hong Kong, The Imperial Sale, 27 April 1997, lot 55.

Cf. also a Yongzheng yuzhi bowl in the British Museum, illustrated by H. Moss, By Imperial Command, Hong Kong, 1976, pl. 5. The style of this decoration is similar to Qing period cloisonné enamelling on copper, and it has been suggested that the porcelain for such pieces were sent from Jingdezhen to be enamelled at the Palace Workshops in Beijing, opi cit., p. 33.

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