A RARE HUANGHUALI THREE-RAILING BED, LUOHANCHUANG

細節
明十六世紀 黃花梨素圍子羅漢床

床為黃花梨製,床圍作三屏式, 左右及中央圍子皆為整板平鑲邊框。床座面攢邊打槽,框架原鑽孔作軟屜,現更換為硬屜,座下有窄束腰,光素平口牙條,邊起寬扁有力的陽線,沿接馬蹄足,內側挖成L形。線條流暢;床皆用整材,少加雕飾,令黃花梨優美紋理展現無疑。

羅漢床是指左右及背面裝有圍欄的床具。早自五代顧閎中所繪之《韓熙載夜宴圖》中便可見到類似床具。發展到了明末,圍欄可為攢接圖形,或是為三塊整板,通常後背較左右稍高。此種床榻都是單獨陳設,很少成對。羅漢床的功能多樣,可用以歇息,與友人會談,床上置一小炕桌便可弈棋。可設於廳堂,亦適合書房。傳世之羅漢床數量並不多,比例細緻如本件,風格含蓄典雅,為少見之佳作。前加州中國古典傢具博物館藏有一件相似的羅漢床,1996 年9月於紐約佳士得拍出,拍品100號,其他公立藏品還有紐約大都會博物館也有一張素圍子羅漢床。
來源
Robert and William Drummond
Alice Boney, acquired in 1949
Robert Hatfield Ellsworth, acquired in 1989
出版
J.G. Lee, Chinese Furniture, Philadelphia Museum of Art Bulletin 58, no.276, Philadelphia, winter 1963, p. 58, no.2
Robert Hatfield Ellsworth, Chinese Furniture: Hardwood Examples of the Ming and Early Ch'ing Dynasties, New York, 1971, p.142, no. 33
Anita Christy, Alice Boney: The Doyenne of Oriental Art Dealers, Orientations 19, No.12, December 1988, p.59, pl.9
Ellsworth, Robert Hatfield, Chinese Furniture: One Hundred Examples from the Mimi and Raymond Hung Collection, New York, 1996, p.97, no.28
展覽
Philadelphia Museum of Art, Pennsylvania, 1962-1971, 1973-1974
Asian Art Museum of San Franciso, Essence of Style, Chinese Furniture of the Late Ming and Early Qing Dyansties, 1998, Catalogue no. 12

榮譽呈獻

Carrie Li
Carrie Li

查閱狀況報告或聯絡我們查詢更多拍品資料

登入
瀏覽狀況報告

拍品專文

In his introduction to Chinese Furniture: One Hundred Examples from the Mimi and Raymond Hung Collection, New York, 1996, p. 26 R. Ellsworth notes that the distinctive L-section legs have been "cut out to simulate the T'ang box style construction of legs". This distinctive feature is shared by two further examples of plain-panelled luohan beds with L-section cut-out legs; the first formerly in the Robert Piccus collection sold at Christie's New York, 18 September 1997, lot 94; the second is illustrated by G. Ecke, Chinese Domestic Furniture, Rutland, Vermont, and Tokyo, 1962, pl. 27, no. 21.

Other huanghuali luohan beds with plain railings include an example sold at Christie's New York, Important Chinese Furniture, Formerly the Museum of Classical Furniture Collection, 19 September 1996, lot 100 and sold again also at Christie's New York, 20 September 2001, lot 272; one in the collection of the Nelson-Atkins Museum of Art, Kansas City, dated to 17th century, illustrated in R.H. Ellsworth, Chinese Furniture: Hardwood Examples of the Ming and Early Ch'ing Dynasties, New York, 1971, p. 145, pl 36; another illustrated by Wang Shixiang, Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties, Vol. II, Hong Kong, 1990, pp. 78-9, C5, C6. A luohan bed of similar proportions and design is illustrated by S. Handler, Ming Furniture in the Light of Chinese Architecture, Berkeley and Toronto, 2005, p. 13, shown in the Astor Court, The Metropolitan Museum of Art.

Compare, also, an example with curved railings and aprons dated to late 16th/early 17th century, previously in the Dr S.Y. Yip Collection of Classical Chinese Furniture, sold at Christie's New York, 20 September 2002, lot 50.

This type of bed would not only have been used as an alternative bed to sleep on, but also as a seat to receive guests and a daybed to rest on. For a discussion of the varied uses of this style of bed, see Sarah Handler, "Comfort and Joy: A Couch Bed for Day and Night," Journal of the Classical Chinese Furniture Society, Winter 1991, pp. 4-19, and the corresponding chapter in Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, ch. 9, pp. 122-138.

更多來自 重要中國瓷器及工藝精品

查看全部
查看全部