細節
天明屋尚
空中鞦韆
壓克力 金箔 木板
1989年作

來源
現藏者直接購自藝術家本人

出版
2003年《天明屋尚作品集 「Japanese Spirit」》學習研究社 東京 日本 (圖版 ,第70頁)
2006年《天明屋尚》河出書房新社 日本 (圖版,第112及146頁)


天明屋尚以鮮明、挑逗的手法,重現江戶時代的垂直卷軸(Kakemono),在《空中鞦韆》(Lot 1522)中呈現出人和大自然微妙的平衡。他特意設計一隻雄雞在超自然的氛圍中,坐在高高的雲海上,燃燒中的雜技演員正在表演空中飛人。原本應該是觸目驚心的畫面,卻因為雜技演員優雅、沉穩的表演而取得了平衡,建構出讓人心生敬意的意象;這個向死神挑戰的表演需要極高的專注力,彷彿是冥想,也好像象徵要成功完成畫作,必須全神貫注、精準細膩。《空中鞦韆》以怪異的地獄為背景,充滿巨大的象徵意義。電光粉紅、明淨的純白與詭異的黑色形成對比,呼應著天明屋尚融合傳統和當代藝術的特色。也許是為了進一步強化神聖的意象,他果斷地加入色彩與線條的直接對比,創造出荒誕離奇的超現實象徵,即當代壓力引申出的黑暗真實。雄雞象徵至高無上的太陽,表現了日本文化的精神中的自信、誠實、勇氣、力量、警覺和華麗,就是堅毅的道德勇氣。火焰燒得既優雅又狂放,它的形狀看似雄雞的雞冠。天明屋尚的作品有力地融合新日本畫、日本傳統精神,並加上當代的觀點,也因此被譽為日本當代最卓越的藝術家之一。
來源
Acquired directly from the artist by the present owner
出版
Ashiki Hori, Gakken Col., Ltd., Works of Tenmyouya Hisashi "Japanese Spirit", Tokyo, Japan, 2003 (illustrated, p. 70).
Kawade Shobo Shinsha, Tenmyouya Hisashi, Japan, 2006 (illustrated, pp. 112 & 146).

登入
瀏覽狀況報告

拍品專文

Reiterating the vertical Kakemono scrolls of the Edo-period, Hisashi Tenmyouya's Flying Trapeze (Lot 1522) demonstrates the fine balance of human power and nature in a striking and provocative manner. Here, he devises a paranormal ambiance of a rooster, sitting high upon the clouds with a burning acrobat performing a flying trapeze. An otherwise frightening image is counterbalanced by the elegant and composed posture of the performer, evoking an image of awe as this death defying act demonstrates concentration to a point of meditation, an act mirrored by the delicate and painstaking details of the painting itself. Flying Trapeze inhabits an uncanny underworld shaped with burning contrast of electrified pink and crisp white, hostile to the black milieu, a reminder of Tenmyouya's eclectic intermix of tradition and contemporary. Perhaps to further the notion of sacredness, Tenmyouya decisively injected illumination through direct contrast of hue and contour to craft a surreal metaphor of the tackles of the dark realities of contemporary pressure. The rooster, elevated in symbolism, commands the comparable supremacy of the sun - a spirit that epitomizes pride, courage, strength, vigilance and flamboyance in Japanese culture - it serves as a moral fortitude. The silhouette of the gracefully raging fire visually emulates the crown of the rooster, wherein the physical curvatures of both the subjects emanate a likeness. This painting is a fine example of Tenmyouya's effectiveness in intertwining neo-nihonga, Japanese spiritualism with a contemporary outlook has marked him as one of the pre-eminent contemporary Japanese artists of today.

更多來自 亞洲當代藝術 日間拍賣

查看全部
查看全部