QIN GUAN (ATTRIBUTED TO, 1049-1100)
宋 秦觀(傳) 草書 詠竹詩 水墨紙本 手卷 一零八零年作

POEMS ABOUT BAMBOO IN CURSIVE SCRIPT

細節
宋 秦觀(傳) 草書 詠竹詩 水墨紙本
手卷 一零八零年作
釋文:
墨君颯颯風雨鳴,垂鸞舞鳳翻青綬。
一竿珍重幾百緡,奚啻渭川三萬畝。
金鏘玉戛空琴聲,婢行奴顏謝花柳。
得亭真從寂寞間,卓古高標壓群醜。
不須辨直致湘江,便覺滿窗涼意透。
挺然葉節抱風孤,頓應君子虛心受。
雷迸籜龍龍欲走,櫻筍紛紛徒適口。
破除肉味若聞韶,王猷笑詠還依舊。
藉檻湘陰凈簡書,接地春華幻塵垢。
佛手筆端別有神,往來平安報良友。
前時無偶後無繼,寄寶秘靈宜永久。
元豐三年上元日,淮海居士秦觀識。
翁方綱(1733-1818)題跋:
卞永譽《式古堂書畫彙考》載秦淮海竹詩墨跡
云:“同上”。此跡草書紙本,下有“松月子”紅
文離坤卦象印,“巴西鄧氏善之”印,“吉泰和楊
士奇圖書記”九字印,“中吳陸氏松華堂印”八字
印,“玉林賞心”四字印,三印皆紅文鈴縫。卞氏
所記如此,今已失去後二印,並吉泰和楊氏印,
亦失其後半。蓋隔水綾以後為人翦去也,又不知
後有舊跋否,卞氏亦未詳言。今見此間又有“趙
氏子昂”印,“令之清賞”印,令之印失下半,卞中
丞字令之也,書此以識之。
嘉慶丁卯(1807)秋九月廿日北平翁方綱
鈐印:翁方綱、覃溪、蘇齋墨緣、緩盦鑒藏
藏印:宋高宗 趙構(1107-1187):德壽;
趙孟頫(1254-1322):趙氏子昂;
鄧文原(1258-1328):巴西鄧氏善之;
楊士奇(1364-1444):吉泰和楊士奇圖書記;
卞永譽(1645-1712): 令之清賞 (半印);
阮元(1764-1849): 阮元印;
翁方綱(1733-1818):覃溪、覃溪審定、蘇齋墨緣;
韓慎先(1897-1962):慎先心賞、夏山樓藏書畫
記;
許漢卿(1882-1961):許氏漢卿珍藏;
其他:松月子。另有二印殘缺,無法辨識。
著錄:
卞永譽《式古堂書畫彙考》書卷,卷二十,《中國
書畫全書》第六冊,p.327,上海書畫出版社
李佐賢《書畫鑒影》,卷二,p.31-32
韓崇(清)《寶鐵齋金石文跋尾》中卷 p.19,商務
印書館《叢書集成》初編,民國25年出版
沈津《翁方綱題跋手札集錄》, p.312, 廣西師範
大學出版社,2002年出版。
註:秦觀(1049-1100)字少遊,一字太虛,高郵(
今江蘇高郵)人。元初,蘇軾以賢良方正薦於朝,
除國史院編修官。工詩詞,為王安石、蘇軾等稱
重。善書法,小楷專學鍾、王,姿媚遒勁可愛。草
書有東晉風味。真、行學顏真卿,然退避不肯以
書自名。嘗過維揚作蘇軾語題壁,軾不能辨。有
淮海集。卒年五十二。《宋史本傳、東坡集、渭南
集、洞天清錄集》。-錄自《中國美術家人名辭
典》,上海人民美術出版社,1984年,第749頁。
翁方綱(1733-1818),字正三,一字忠敘,號覃
溪,晚號蘇齋,順天大興(今屬北京市)人。乾隆
十七年(1752)進士,官至內閣學士。長於考證金
石,富藏書。間作印章,姿趣入古。書法初學顏
真卿,繼學歐陽詢,隸法史晨、韓諸碑。生平雙
鉤摹勒舊帖數十本,北方求書碑版者畢歸之。垂
老康強,目力尤勝。六、七十歲時猶能於燈下作
細書閱蠅頭字,不用眼鏡。每歲元旦,必用西瓜
子仁書四楷子,五十後曰萬壽無疆,六十後曰天
子萬年,至七十後猶能寫天下太平。又能於一粒
胡麻上作一片冰心在玉壺七字,可謂異稟。幹、
嘉之間,都下言書皆推翁、劉(墉字崇如,號石
庵)兩家,戈仙舟(源)學士嘗質石庵書詣於覃
溪,覃溪曰:「問汝師那一筆是古人?」學士以告
石庵,石庵曰:「我自成我書耳,問汝嶽翁那一筆
是自己?」著有兩漢金石記、復初堂集。卒年八十
六。-錄自《中國美術家人名辭典》,上海人民美
術出版社,1984年,第750頁。
按:有宋一代書法名家首推蘇、黃、米、蔡四家,
其存世墨跡屈指可數。至於同時代之“蘇門四學
士”之一——秦觀,其存世墨跡,尋遍海內外公
私諸收藏,搜索殆盡,付之闕如。今從許漢卿收
藏中得見《秦淮海詠竹詩翰卷》驚訝不勝。
此卷書法尾款識“元豐三年上元日淮海居士秦觀
識。”北宋元豐三年(公元1080年),秦少遊時三
十二歲,屬中年之作。卷中藏印有:元朝趙孟頫、
鄧文原,明朝楊士奇,清朝卞永譽、翁方綱、阮
元,近人韓慎光等。尚有一古印為“松月子紅文
離坤卦象印”。另據翁方綱題跋中有“中吳陸氏
松華堂印”、“玉林心賞”二印已不可見。又“蓋
隔水綾之後為人剪去也,又不知後有舊跋否”。
據許漢卿另紙跋:“此跡見《欽定四庫全書》六
藝之一(卷三百八十二)及《式古堂書畫彙考》與
《書畫鑒影》俱著錄。又阮元《擘經室詩集》曾
有詩紀之。
另嘉慶六年,無錫秦震鈞刻《寄暢園法帖》六
卷,第一卷第一帖即是秦觀此帖。
本卷外簽為“思潛”所題,思潛即許姬傳。許氏
有“天泉閣”收藏書畫頗富。卷中藏印“夏山樓
珍藏”即韓慎先收藏。(中國古代書畫鑒定小組,
八十年代開始是以謝稚柳為組長的六人小組。之
前五十年代亦有書畫鑒定小組,是以張珩為首的
三人小組,另二人是謝稚柳、韓慎先。)
此卷秦少遊詠竹詩,許漢卿稱其書法動朗清腴,
頗屬公允,紙墨亦夠古樸。但秦氏書法尚無他跡
可尋,故僅以“傳”字入目,俟有識之士鈞教。

登入
瀏覽狀況報告

拍品專文

Su Shi (1037-1101), Huang Tingjian (1045-1105), Mi Fei (1051-1107), and Cai Xiang (1012-1067) were the four major masters of calligraphy in the Song dynasty, but their surviving works are rare. As for Qin Guan (Qin Huaihai), who was one of the Four Scholars of the Su Shi School, his calligraphy has never been found in any public or private collections, neither in China nor outside of China.

The end of this scroll concludes "Huai Hai scholar Qin Guan wrote on the day of Shangyuan, third year of the Yuanfeng era". In the third year of Yuanfeng (1080), Qin Shaoyou was thirty-two years old, and therefore the work belonged to his mid-career. The scroll includes seals by the following scholars: Zhao Mengfu and Zheng Wenyuan from the Yuan dynasty; Yang Shiqi from the Ming dynasty; and Bian Yongyu, Weng Fanggang, and Ruan Yuan from the Qing dynasty, as well as Han Shenguang from the modern period. The scroll also contains an ancient seal, "Song yue zi hong wen li kun gua xiang." Also, according to Weng Fanggang's colophon, the other two seals "Zhong wu lu shi song hua tang yin" and "Yu lin xin shang" could not be identified. Weng thought these two seals might have been cut and there might have been colophons following them. Also, the seal "Zhong wu lu shi song hua tang," as well as "Yu lin xin shang" from the calligraphy of Weng Fanggang are hard to recognize.

Xu Hanqing gave his personal comments on this work in his notes, "This scroll is included in the first volume of the Six Arts from Imperial Si Ku Quan Shu (p. 382), Shi Gu Tang Shu Hua Tang Kao, and Shu Hua Jian Ying. Also, Ruan Yuan once recorded the work in his collection of poems titled Bi Jing Shi Shi Ji.

Also, in the sixth year of Jiaqing, Qin Nongjun from Wuxi inscribed Qin Guan's calligraphy of Yong Zhu Shi in the first volume of his six-volume Ji Chang Yuan Rubbings.

The titleslip of this scroll on the outside mounting is titled as Si Qian, who was also known as Xu Jichuan. Xu's Tian Quan Ge had an impressive collection of books and paintings. The seal "Xia shan zhen cang" reveals that the scroll was collected by Han Shenxian. (Han was an importmant member of the Chinese Ancient Calligraphy and Painting Appraisal Team. It was led by Xie Zhiliu and five other members. In the 1950s, the Appraisal Team was led by Zhang Heng with the participation of Xie Zhiliu and Han Shenxian.)

The scroll includes the poem about bamboo by Qin Shaoyou. Xu Hanqin praised the work for its lyrical sensitivity and modest use of ink and paper. However, the origin of Qin's calligraphic practice is hard to trace. Therefore, the word "attributed to" is used in the description to invite people with more knowledge to render further insight.

更多來自 澄懷味象:許漢卿珍藏

查看全部
查看全部