A RARE PAIR OF HUANGHUALI HEXAGONAL ARMCHAIRS
Prospective purchasers are advised that several co… 顯示更多 洪建生與王家琪所庋藏的中國古代傢具,曾是亞洲遠近馳名且品種最為齊全的傢具收藏。二人因傢具的木材肌理及線條弧度之美而被深深吸引。一九八零年代中期正是收藏中國傢具的最佳時機。中國境內流出不少重中之重且前所未見的器件,不僅彌補學術界之不足,在鑒藏界亦產生相對的影響力。在如此另人振奮的氛圍下,洪建生開始打入市場,著手學習並收藏一些重要珍罕的中國傢具。這批傢俱的收藏體系,實由紐約知名古董商安思遠為其組織而成。安思遠於1971 年所著的《中國傢具:明及清初硬木實例》啟發不少傢具界新一輩的藏家學者。而這本值得精讀之作,在重新探討中國古代傢具之餘,更成為傢具收藏的入門指標。在安思遠的指導下,洪氏除了尋找黃花梨及紫檀傢具的重要品種外,同時也擴充其自身漆器及文房用具的收藏。對於安思遠,洪氏先後三顧草廬,因多年拜訪其紐約及康涅狄格的邸宅而建立起歷久彌堅的友誼。安思遠於1996 年出版《洪氏所藏木器百圖》上冊,並於2005年出版下冊。1998 年,洪氏珍藏的部份精品更在舊金山亞洲藝術博物館中展出,並載於是次展覽圖錄─《風格的實質:明末清初中國傢俱》當中。作為敏求精舍逾二十五載之成員,洪氏現仍擔任敏球精舍的執行委員。在其珍襲密斂之際,洪氏更有機會得以從安思遠、黑洪祿、及陳勝記陳鑒泉等多位傢具古玩行中巨擘身上賞古尋珍,並對其淵博之學識,豐富之經驗,表以感恩載德之情。
清十八世紀 黃花梨六角南官帽椅一對

QING DYNASTY, 18TH CENTURY

細節
清十八世紀 黃花梨六角南官帽椅一對
33 1/2 in. (85 cm.) high, 24 3/4 in. (63 cm.) wide, 17 in. (43.5 cm.) deep
出版
安思遠,尼古拉斯.葛瑞德雷,柯安霓合著,《洪氏所藏木器百圖》,第一冊,紐約,1996年,頁88-89,24號。
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and crocodile. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

榮譽呈獻

Stephenie Tsoi
Stephenie Tsoi

拍品專文

Hexagonal chairs appear to be a variant on the more commonly seen rectangular low-back armchairs, meiguiyi, also known as a ‘rose’ chair. This type of chair was popular in the Ming dynasty for its light construction and elegant appearance. Extant examples of hexagonal low-back armchairs are very rare, though evidence for this form exists in woodblock prints and paintings. One scroll from the set of twelve hanging scrolls from the Twelve Beautifies in the Yuanmingyuan dated to the Kangxi period, 1709-1723, depicts an elegant lady seated in a spotted bamboo hexagonal low-back chair while viewing antiques placed on a gilt-lacquer table (fig. 1). Similar to the present example, the spotted bamboo-hexagonal chair is also constructed with vertical spindles in the arms and back.

The most comparable example of the present pair of chairs was in the Philippe De Backer Collection (Lu Ming Shi Collection) and illustrated in Ming, l’Age d’Or du Mobilier Chinois, Paris, 2003, p. 102, pl. 22, which display similar use of the vertical spindles and shaped aprons below the seat. A pair of zitan hexagonal low back armchairs with vertical spindles and intertwined double circle struts are illustrated by Grace Wu Bruce in Chinese Classic Furniture: Selections from Hong Kong & London Gallery, Hong Kong, 2001-2002, p. 42, no. 12. See, also, the huanghuali hexagonal armchair with tall back and curved, three-part splat, illustrated by Wang Shixiang et. al., Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties, vol. II, Hong Kong, 1990, p. 51, no. A80. Compare, another single huanghuali armchair with cusped aprons below the seat and stepped stretchers sold at Christie’s New York, 17 September 2008.

Related chairs with unusual seat construction include a pair of zitan armchairs with begonia-shaped seats illustrated by G. Wu Bruce in Zitan Furniture from the Ming and Qing Dynasties, Hong Kong, 1999, p. 24, no. 8 and a pair of fan-shaped huanghuali armchairs illustrated by N. Grindley and F. Hufnagel, Pure Form: Classical Chinese Furniture: Vok Collection, Munich, 2004, pls. 20 and 21.

更多來自 重要中國瓷器及工藝精品

查看全部
查看全部