拍品 118
118
ECRAN DE TABLE A DOUZE PANNEAUX
ECRAN DE TABLE A DOUZE PANNEAUX
ECRAN DE TABLE A DOUZE PANNEAUX
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Prospective purchasers are advised that several co… 顯示更多
1933至1934年 溥伒、溥佺、溥儒、啟功等 山水人物畫十二扇桌屏1. 題識：中華民國二十三年十一月，對外唯許在內唯黃，衛生實驗處處長劉瑞恆 鈐印：劉瑞恆印2. 題識：克昌 鈐印：歗谷3. 題識：仲蓀 鈐印：益庵4. 題識：癸酉十月既望，師名人法，葉昀 鈐印：昀5. 題識：癸酉冬啟功 鈐印：功6. 題識： 癸酉長至仿許道寧，井西居士祁崑 鈐印：祁崑，井西7. 題識：和鏞 鈐印：鏞，松、雲8. 題識：溥佺 鈐印：佺9. 題識：酒仙 鈐印：衡永10. 題識： 落葉覆溪橋，荒村唯古木，柳州句，心畬 鈐印：溥儒之印11. 題識：癸酉冬雪道人寫，松影上峭壁，瀑聲穿層雲 鈐印：溥伒之印12. 題識：鮑謙熙博士由國聯應聘來華任顧問先後五年，事上以龔事下以德，期滿返歐爰集毛公鼎字為聯貽之以誌紀念來源：前南斯拉夫著名公共衛生學家鮑謙熙(Borislav Borcic)舊藏，曾於1920年代末至1930年代擔任國際聯盟衛生組織專家並多次訪華

CHINE, 1933-1934

細節
1933至1934年 溥伒、溥佺、溥儒、啟功等 山水人物畫十二扇桌屏

1. 題識：中華民國二十三年十一月，對外唯許在內唯黃，衛生實驗處處長劉瑞恆
鈐印：劉瑞恆印

2. 題識：克昌
鈐印：歗谷

3. 題識：仲蓀
鈐印：益庵

4. 題識：癸酉十月既望，師名人法，葉昀
鈐印：昀

5. 題識：癸酉冬啟功
鈐印：功

6. 題識： 癸酉長至仿許道寧，井西居士祁崑
鈐印：祁崑，井西

7. 題識：和鏞
鈐印：鏞，松、雲

8. 題識：溥佺
鈐印：佺

9. 題識：酒仙
鈐印：衡永

10. 題識： 落葉覆溪橋，荒村唯古木，柳州句，心畬
鈐印：溥儒之印

11. 題識：癸酉冬雪道人寫，松影上峭壁，瀑聲穿層雲
鈐印：溥伒之印

12. 題識：鮑謙熙博士由國聯應聘來華任顧問先後五年，事上以龔事下以德，期滿返歐爰集毛公鼎字為聯貽之以誌紀念

來源：前南斯拉夫著名公共衛生學家鮑謙熙(Borislav Borcic)舊藏，曾於1920年代末至1930年代擔任國際聯盟衛生組織專家並多次訪華
Dimensions d'un panneau: 36,5 x 12,2 cm. (14 3/8 x 4 ¾ in.)
Largeur totale: 131,5 cm. (51 ¾ in.)
來源
Collection of Dr. Berislav Borcic (1891-1977), the Yogoslav Public Health specialist who worked in China as League of Nations Health consultant in the late 1920s to 1930s.

注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection details.
更多詳情
A PAINTED TWELVE-PANEL TABLE SCREEN
CHINA, 1933-1934
INK AND COLOUR ON PAPER

拍品專文

The Songfeng huahui, or Pine Breeze Painting Society, was formed in 1925 by a small circle of members who were all related either to the imperial family or the court of the Qing dynasty. Mainly led by Pu Jin, the members gathered regularly to paint and exchange about the arts. Characterized by the freshness and meticulousness of the modern Gongbi style, artists such as Pu Quan, Pu Zuo, Pu Ru, Guan Heyong, Qi Jingxi and Qi Gong were part of the most emblematic figures of this elite group.

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