UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

Seiro hanami ryakuzu (Sketch of a flower-viewing party from the pleasure quarters)

細節
UTAGAWA HIROSHIGE (1797-1858)
Seiro hanami ryakuzu (Sketch of a flower-viewing party from the pleasure quarters)
Woodblock print, signed Hiroshige hitsu, circa late 1840s-1850s
8 ¼ x 18 ¾ in. (21 x 47.6 cm.)
來源
Irma Grabhorn-Engel (1906-2003)
Sebastian Izzard Asian Art LLC, New York
Acquired from the above, 2005
出版
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 441.
Alfred Haft, Hiroshige: artist of the open road (UK: The British Museum Press, 2025), Exh. cat., Plate 122.
展覽
'Hiroshige: artist of the open road', The British Museum, London, 1 May-7 September 2025

榮譽呈獻

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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拍品專文

This aizuri work is one of Hiroshige’s rarest masterpieces in the fan-print format. It depicts Yoshiwara courtesans and their patrons setting out to enjoy the cherry blossoms in spring. Hiroshige demonstrates his brilliant compositional technique in adapting the scene to this highly unusual format. The sweeping curve of the embankment in the foreground echoes the lower edge of the fan, while the cherry trees rise diagonally through the composition, creating a dynamic interplay of curved and vertical forms. The embankment is rendered in pale blue, while the cherry trees are rendered in a slightly darker blue, creating a subtle contrast in tone. This ingenious arrangement guides the viewer’s eye through the scene and enhances the sense of depth within the restricted format.

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