Pablo Picasso

Few artists have achieved the success and celebrity of Pablo Picasso or been so instrumental in fashioning the public’s understanding of what art and the artist can be. By the end of his long life, Picasso had become the defining artist of his century. His career spanned nearly 80 years and numerous celebrated love affairs — and although he saw himself primarily as a painter, he had worked in almost every medium, from ceramics to theatrical design.

Born in Malaga in 1881, the young Picasso displayed a precocious talent that was fostered by his father, a university art teacher. At the age of 14 he was producing astonishingly accomplished works like Girl with Bare Feet (1895). Yet, as he was to say famously of his early training, ‘It took me four years to paint like Raphael, but a lifetime to paint like a child.’ It was Picasso’s quest for this playful, primal and childlike perspective that would come to define his work and have such a profound effect on the course of modern art.

His first success was forged at the tail end of Post-Impressionism, having settled in Montmartre, Paris, in the early 1900s. Following flirtations with Symbolism during his Blue and Rose Periods, he became increasingly influenced by Cezanne and then by non-Western art. In 1907 he produced his Primitivist masterpiece painting, Les Demoiselles d’Avignon (1907). By 1908, he and Georges Braque had taken Primitivism a step further with their development of Cubism. Beautifully exampled in Picasso’s Woman with Guitar (‘Ma Jolie’) (1911–12), Cubism tore up the rules of single-perspective representation that had defined art since the Renaissance. It was a revolutionary moment that would dictate the course of 20th-century art.

Picasso would live in France until his death in 1973, continuously inventing and responding to the ideas of the wider artistic world and producing some of the defining works of the 20th century. Guernica (1937), Les femmes d’Alger (Version ‘O’) (1955), his portraits of Dora Maar, his minotaur etchings, his salvage sculptures and ceramics all continue to stand as testament to his versatile and prolific talent. Picasso was businessman, genius and maverick in equal measure.

Browse Pablo Picasso paintings, prints, drawings, books


PABLO PICASSO (1881-1973)

Nature morte devant une fenêtre

PABLO PICASSO (1881-1973)

Pomme et verre

PABLO PICASSO (1881-1973)

La Lecture (Marie-Thérèse)

PABLO PICASSO (1881-1973)

Mousquetaire, tête

PABLO PICASSO (1881-1973)

Femme dans un fauteuil

PABLO PICASSO (1881-1973)

Mère et enfant

PABLO PICASSO (1881-1973)

La Villa Médicis à Rome

PABLO PICASSO (1881-1973)

Maquette pour la couverture du livre 'Picasso Théâtre'

PABLO PICASSO (1881-1973)

Pichet à lampe (Visage découpé)

PABLO PICASSO (1881-1973)

Buste de femme d'après Cranach le Jeune

PABLO PICASSO (1881-1973)

Buste d'Homme, from La Suite des Saltimbanques

PABLO PICASSO (1881-1973)

Les deux Saltimbanques, from La Suite des Saltimbanques

PABLO PICASSO (1881-1973)

Tête de femme, de profil, from La suite des Saltimbanques

PABLO PICASSO (1881-1973)

Le Bain, from La Suite des Saltimbanques

PABLO PICASSO (1881-1973)

Salomé, from La Suite des Saltimbanques

PABLO PICASSO (1881-1973)

Deux figures nues

PABLO PICASSO (1881-1973)

Au Bain, from La Suite Vollard

PABLO PICASSO (1881-1973)

La Suite Vollard : two prints

PABLO PICASSO (1881-1973)

La Suite Vollard: two plates

PABLO PICASSO (1881-1973)

Le Repos du Sculpteur II, from La Suite Vollard

PABLO PICASSO (1881-1973)

Trois femmes nues près d'une fenêtre, from La Suite Vollard

PABLO PICASSO (1881-1973)

Minotaure blessé VI, from La Suite Vollard

PABLO PICASSO (1881-1973)

Quatre femmes nues et tête sculptée, from La Suite Vollard

PABLO PICASSO (1881-1973)

Sculpture. Tête de Marie-Thérèse

PABLO PICASSO (1881-1973)

Picador, Femme et Cheval

PABLO PICASSO (1881-1973)

Affiche pour l’Exposition Hispano-Américaine

PABLO PICASSO (1881-1973)

Fumeur avec un homme (Smoker with a Man)

PABLO PICASSO (1881-1973)

Grosse Prostituée, Sorcière à la Chouette et Voyageur en Sabots, from Séries 347

PABLO PICASSO (1881-1973)

La Série 156 : three prints

AFTER PABLO PICASSO (1881-1973)

Guéridon avec guitare et partition, from Dix Pochoirs

AFTER PABLO PICASSO (1881-1973)

Guitare et partition sur guéridon, from Dix Pochoirs

AFTER PABLO PICASSO (1881-1973)

Pierrot et Arlequin, from Dix Pochoirs

PABLO PICASSO (1881-1973)

Sujet poisson (A.R. 139)

PABLO PICASSO (1881-1973)

Visage (A.R. 288)

PABLO PICASSO (1881-1973)

Figure de proue (A.R. 136)

PABLO PICASSO (1881-1973)

Quatre visages (A.R. 437)

PABLO PICASSO (1881-1973)

Pichet anse prise (A.R. 186)

PABLO PICASSO (1881-1973)

Chouette ébouriffée (A.R. 292)

PABLO PICASSO (1881-1973)

Hibou blanc sur fond rouge (A.R. 395)

PABLO PICASSO (1881-1973)

Chouette (A.R. 603)

PABLO PICASSO (1881-1973)

Gros oiseau corrida (A.R. 191)

PABLO PICASSO (1881-1973)

Picador et taureau (A.R. 439)

PABLO PICASSO (1881-1973)

Corrida (A.R. 181)

PABLO PICASSO (1881-1973)

Taureau gravé (A.R. 32)

PABLO PICASSO (1881-1973)

Taureau (A.R. 255)