Born in Xàtiva, near Valencia, in 1591, he left Spain at a young age and spent almost his entire career in Italy. After periods in Parma and Rome, he settled in Naples in 1616, then under Spanish rule. There, he became the painter to the Spanish viceroys and quickly established himself as one of the city’s leading artists.
Inspired by Caravaggio's revolutionary use of light and realism, Ribera developed a distinctive style characterised by a dramatic use of chiaroscuro, richly textured surfaces and a striking naturalism. His saints, philosophers and martyrs possess remarkable physical presence, as seen in The Martyrdom of Saint Bartholomew (1634) and Jacob with the Flock of Laban (c. 1638). Whether depicting ecstatic visions or brutal martyrdom, Ribera balanced visceral realism with the ability to convey emotional and spiritual intensity.
Alongside his celebrated religious paintings, Ribera produced compelling portraits, mythological scenes and depictions of ancient philosophers, often portraying them as humble, contemplative figures drawn from everyday life. His mastery of etching further extended his artistic influence, making him one of the most accomplished printmakers of his generation. Ribera’s work profoundly shaped Neapolitan painting and influenced artists including Luca Giordano, Salvator Rosa and Bartolomé Esteban Murillo. He died in Naples in 1652.
Ribera’s enduring reputation rests on the dramatic power and technical brilliance of his work, which is represented in major collections including the Museo Nacional del Prado in Madrid, the Museo di Capodimonte in Naples and The Metropolitan Museum of Art in New York.
Jusepe de Ribera, lo Spagnoletto (Játiva, Valencia 1591-1652 Naples)
A philosopher holding a mirror
Jusepe de Ribera (Xàtiva 1591-1652 Naples)
The Executioner with the head of Saint John the Baptist
Attributed to Jusepe de Ribera, lo Spagnoletto (Játiva, Valencia 1591-1652 Naples)
A philosopher, half-length, in a torn white shirt and brown jacket, holding books and a wicker flask
Jusepe de Ribera, lo Spagnoletto (Valencia 1591-1652 Naples)
Two men hunting pigeons and a woman carrying a basket on her head standing beside ( recto ); Two head studies ( verso , faintly visible through the recto )
JUSEPE DE RIBERA, CALLED LO SPAGNOLETTO (JÀTIVA 1591-1652 NAPLES)
A philosopher (Archimedes?)
Jusepe de Ribera, lo Spagnoletto (Valencia 1591-1652 Naples)
Head of a man with growths on his neck, in profile to the left
Studio of Jusepe de Ribera, lo Spagnoletto (Játiva, Valencia 1591-1652 Naples)
The philosopher Thales
JUSEPE DE RIBERA, DIT LO SPAGNOLETTO (JÀTIVA 1591-1652 NAPLES) ET ATELIER
Un philosophe avec une fiasque de vin
JUSEPE DE RIBERA, LO SPAGNOLETTO (JÁTIVA, VALENCIA 1591-1652 NAPLES)
Saint Andrew - a fragment
Studio of Jusepe de Ribera, lo Spagnoletto (Játiva, Valencia 1591-1652 Naples)
The Adoration of the Shepherds
STUDIO OF JUSEPE DE RIBERA, CALLED LO SPAGNOLETTO (JÀTIVA, VALENCIA 1591-1652 NAPLES)
The Penitent Saint Peter
STUDIO OF JUSEPE DE RIBERA, CALLED LO SPAGNOLETTO (JÀTIVA, VALENCIA 1591-1652 NAPLES)
The Penitent Saint Peter
AFTER JUSEPE DE RIBERA
The Entombment of Christ
Jusepe de Ribera (1591-1652)
Drunken Silenus
Jusepe de Ribera, called Lo Spagnoletto (Valencia 1591-1652 Naples)
Six cherubs in the clouds
Circle of Jusepe de Ribera, called Lo Spagnoletto (Játiva, Valencia 1591-1652 Naples)
The penitent Saint Peter
JUSEPE DE RIBERA (1591-1652)
Drunken Silenus
Jusepe de Ribera
St. Jerome in the Desert (B. 3; Br. 13)
Jusepe de Ribera (1591-1652)
St. Peter, Penitent (B. 7; Brown 6 I)
JUSEPE DE RIBERA ( CIRCA 1591-1652)
Large grotesque Head
JUSEPE DE RIBERA ( CIRCA 1591-1652)
Saint Jerome reading
JUSEPE DE RIBERA (1591-1652)
Saint Jerome reading
Jusepe de Ribera ( circa 1591-1652) or Follower
The Lamentation (B. 1; Brown 17)
JUSEPE DE RIBERA (1591-1652)
Drunken Silenus
Jusepe de Ribera (1591-1652)
The Penitence of Saint Peter (Bartsch 7; Brown 6)
Jusepe de Ribera (1591-1652)
Saint Jerome hearing the Trumpet of the Last Judgement (Bartsch 5; Brown 4)
Circle of Jusepe de Ribera (1591-1652)
The Lamentation
Jusepe de Ribera (1591-1652)
Saint Jerome hearing the Trumpet of the Last Judgement (Bartsch 5; Brown 4)
Italian School, 18th/19th Century
St. Jerome
SCHOOL OF JUSEPE DE RIBERA (1591-1652)
The Lamentation
JUSEPE DE RIBERA ( CIRCA 1591-1652)
Drunken Silenus
JUSEPE DE RIBERA ( CIRCA 1591-1652)
Saint Jerome hearing the Trumpet of the Last Judgement
Follower of Jusepe de Ribera, lo Spagnoletto
Saint Jerome in the wilderness
JUSEPE DE RIBERA (1591-1652)
Saint Jerome hearing the Trumpet of the Last Judgment
Jusepe Ribera (1591-1652)
Head of Man in a Pointed Cap (Bartsch 9-I)
Follower of Jusepe de Ribera, lo Spagnoletto
Saint Andrew
Circle of Jusepe de Ribera, lo Spagnoletto (Játiva, Valencia 1591-1652 Naples)
Saint Jerome reading
D’APRÈS JOSÉ DE RIBERA DIT LO SPAGNOLETTO (XÀTIVA 1591-1652 MERGELLINA)
Tête d'homme de profil, dit Petite tête grotesque au goître
CIRCLE OF JUSEPE DE RIBERA (1591-1652)
Cupid whipping a Satyr
SCHOOL OF JUSEPE DE RIBERA (1591-1652)
Battle between a Centaur and a Triton