A KHORASSAN COPPER INLAID TUBULAR CONTAINER
No VAT will be charged on the hammer price, but VA… Read more
A KHORASSAN COPPER INLAID TUBULAR CONTAINER

NORTH EAST PERSIA, 12TH CENTURY

Details
A KHORASSAN COPPER INLAID TUBULAR CONTAINER
North East Persia, 12th Century
The tubular body with a large onion-domed hinged cover with pierced knop, a smaller similar fixed terminal the other end, the body with a copper-inlaid naskh inscription along one side between two pierced bird roundels within copper stripe borders, a band of stylised foliate inscription at each end between similar copper stripes, an engraved signature at one end, each terminal with pierced boss rising from a pierced interlace panel, a border of foliate stylised calligraphy between copper bands below, the cover with pronounced cast and chased hinge and clasp, light patination
20in. (51cm.) long
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The main inscription on the body reads: al-baraka li-sahibihi wa (blessing to the owner and).
The engraved signature reads: 'amal-e 'Ali ibn Abi Hafs (the work of 'Ali son of Abi Hafs)

This remarkable object, of considerable size and thought of sufficient importance by its maker to sign it, has no immediate parallel in the published literature. It has been suggested that it was made as a document case. There is certainly a type of tubular container which is thought to have been so used in the mediaeval period, but it tends to be smaller, certainly thinner, and without the piercing. The benedictory inscriptions preclude a religious use, which would otherwise explain the piercing in the same way that the back of later bazuband qur'an holders are pierced. Until however some better sugestion is made, this must remain the most probable option.

The decoration is unusually simple in from. The plain bands of copper inlay flanking the bands of leafy designs are unusually wide, becoming a decorative feature in their own right rather than just coloured outlines.

More from Islamic Art and Manuscripts

View All
View All