A Four-Case Lacquer Inro
A Four-Case Lacquer Inro

EDO PERIOD (19TH CENTURY), SIGNED SHUNSHOSAI AND SEALED

Details
A Four-Case Lacquer Inro
Edo Period (19th century), signed Shunshosai and sealed
Designed with a scene of the seven autumn grasses and insects and spider web in colored togidashi and e-nashiji with highlights of aogai and kirigane against a black ground with mist rendered in mura-nashiji, the interior nashiji; fitted with a carved lacquer bead ojime
3 1/8in. (7.7cm.) long
Provenance
Philippe Burty, Paris (1830-1890)
Lady Lawrence, London
Ralph Harari, sold Sotheby's, London, The Harari Collection of Inro, 28 March, 1974, lot 122
Exhibited
Yamanaka and Co., London, "Loan Exhibition Held in Aid of the British Red Cross," 1915.10.14--11.13 (collection of Lady Lawrence)

Lot Essay

PUBLISHED:
Henri L. Joly & Kumasaku Tomita, Japanese Art and Handicraft, reprint of London, 1916 (Rutland, Vermont: Charles E. Tuttle Company, 1976), no. 151.

The art critic Burty, who coined the phrase "Japonisme" in 1872, was an intimate friend of Félix Braquemond (1883-1914), the French printmaker who first incorporated elements of Japanese woodcuts into his influential graphic art. Burty's collection was sold at auction in Paris in 1891 at Galerie Durand-Ruel by the auctioneer Siegfried Bing, and included 193 inro. His Japanese woodcuts were sold at auction in Paris in 1897.

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