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MAN RAY (1890–1976)

Le Violon d'Ingres, 1924

Details
MAN RAY (1890–1976)
Le Violon d'Ingres, 1924
ferrotyped gelatin silver print, printed probably late 1950s – mid-1970s
signed and dated (in the image); stamped ‘man ray paris’ [Manford M33] and 'reproduction' [Manford M46], titled, initialed and variously annotated in pencil and ink (verso)
image/sheet 9 7/8 x 7 5/8 in. (25 x 19.3 cm.)
Provenance
Sotheby’s, London, May 1991, lot 106;
acquired from the above by the present owner.
Literature
Arturo Schwarz, Man Ray: The Rigour of Imagination, Rizzoli, New York, 1977, p. 255, pl. 415.

Jean-Hubert Martin, Man Ray Photographs, Thames and Hudson, New York, 1982, p. 16, pl. 4.

Merry Foresta et al., Perpetual Motif: The Art of Man Ray, National Museum of American Art, Smithsonian Institution, Washington D.C., 1988, p. 317, pl. 262.

Man Ray 1890-1976, Harry N. Abrams, New York, 1995, p. 46, pl. 48.

Rudolf Kicken, Man Ray: 1890–1976, Hirmer, Munich, 1996, pl. 53.

Alain Sayag and Emmanuelle De I'Ecotais (eds.), Man Ray: Photography and its Double, Gingko Press, Corte Madera, 1998, p. 137.

Katherine Ware, Man Ray In Focus, The J. Paul Getty Museum, Los Angeles, 1998, p. 40, pl. 17.

Emmanuell L'etotais,Man Ray: 1890–1976, Taschen, Cologne, 2000, p. 43.

Mason Klein, Alias Man Ray,Yale University Press, New Haven, 2009, p. 87, fig. 84.

Wendy Grossman and Edouard Sebline (eds.), Man Ray: Human Equations, Hatje Cantz, Ostfildern, 2015, p. 179, fig. 166.

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