THE PROPERTY OF A GENTLEMAN (Lots 146-166)
AN ITALIAN ORMOLU-MOUNTED MICRO-MOSAIC TABLE TOP AND GILTWOOD GUERIDON

THE TOP CIRCA 1810, THE BASE SECOND QUARTER 19TH CENTURY

Details
AN ITALIAN ORMOLU-MOUNTED MICRO-MOSAIC TABLE TOP AND GILTWOOD GUERIDON
The top circa 1810, the base second quarter 19th Century
The circular top with pierced palmette gallery enclosing a central octagonal panel depicting the temple of the Sybil at Tivoli with a circular medallion with ribbon-tied cornucopia and flowers on lilac ground, the outer border with arabesques of swans, geese, finches and pigeons divided by urn-shaped panels, within a berried foliate outer slip, the parcel-gilt composition base with moulded spreading rim above a panelled frieze applied with ribbon-twist patera on berried rosette- headed lion-mask monopodiae joined by a concave-fronted triangular plinth with gadrooned edge and block feet, the base probably associated, with custom's stamp 16GEN 1962, remains of a handwritten label ....60 and label 675MRH
28½in. (72.5cm.) diam.; 30½in. (77.5cm.) high

Lot Essay

The micro-mosaic of the top relates to drawings of the grotesques in the Palazzo Vecchio by Francesco Luigi Levrier (d. 1817) and Ildebrando Poggi and published in their Grottesche di Palazzo Vecchio, Florence, 1785-98, plate 13 (illustrated in S. Chiarugi, Botteghe di Mobilieri in Toscana, Florence, 1994, p. 40, fig. 12). Levrier was the maestro d'ornato of a Scuola d'Ornato or Grottesca in Florence, and promoted decoration based on grotesques. His drawings were subsequently engraved and were not only used for didactic purposes, but with all probability also as basis for artisans of the region. The Accademia delle Belle Arti, to which this school belonged, in the early 19th Century and under French influence, opened four artisan schools among which in 1804 the school for mosaics and micro- mosaics, which closed again after the Napoleonic defeats. It is possible that this top was executed in the school, based on the designs of its earlier teacher.
The table supports relate to a design by the Sienese architect Agostino Fantastici (d. 1845) which he executed for Francesco Piccolomini Clementini in circa 1830 (op. cit, p. 184, fig. 231).

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