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拍品专文
A similar unsigned picture of a woman at a loom based on an illustration in Ehon Chiyomigusa (1740) by Nishikawa Sukenobu was issued as a calendar print in 1765 (see Yoshida Teruji, Harunobu zenshu [Tokyo: Takamizawa Mokuhansha, 1942], no. 299; and Helen C. Gunsaulus, Harunobu, Koryusai, Shigemasa, their Followers and Contemporaries, in The Clarence Buckingham Collection of Japanese Prints [Chicago: The Art Institute, 1965], no. 32). The picture shown here with the child and the pink background was probably published the following year. The signature may be a later addition since all other impressions appear to be unsigned.
For other impressions see Harunobu, Botsugo nihyakunen ten/Harunobu, exhibition commemorating 200th anniversary of his death, exh. cat. (Tokyo: Tokyo National Museum, 1970), nos. 65, 74 and 78 (no. 74, Tokyo National Museum); Harunobu in Zaigai hiho: Obei shuzo ukiyo-e shusei (Tokyo: Gakushu Kenkyusha, 1969-73) pl. 26; Helen C. Gunsaulus, Harunobu, Koryusai, Shigemasa, their Followers and Contemporaries, in The Clarence Buckingham Collection of Japanese Prints (Chicago: The Art Institute of Chicago, 1965), no. 86; Jack Hillier, Suzuki Harunobu: An exhibition of his colour-prints and illustrated books on the occasion of the bicentenary of his death in 1770, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1970), no. 50 (Art Institute of Chicago); Julius Kurth, Suzuki Harunobu, 2nd revised ed. (Munich: R. Piper & Co., 1923), no. 29; Kano Hiroyuki, Kiyonaga to nishiki-e, Nihon no bijutsu 9, no. 364 (Tokyo: Shibundo, 1996), fig. 30 (MOA Museum of Art, Atami); Kobayashi Tadashi, Harunobu, vol. 2 of Ukiyo-e taikei (Tokyo: Shueisha, 1973), no. 182 (MOA Museum of Art, Atami); Tokyo National Museum, ed., vol. 1 of Tokyo kokuritsu hakubutsukan zuhan mokuroku: Ukiyo-e hanga hen/Illustrated Catalogues of Tokyo National Museum (Tokyo: Tokyo National Museum, 1974), no. 399; Yoshida, gen. ed., Nishiki-e soshi jidai (1), vol. 4 of Ukiyo-e taisei (Tokyo: Taihokaku, 1930), no. 82; and Yoshida, Harunobu zenshu (Tokyo: Takamizawa Mokuhansha, 1942), no. 296.
Another impression was sold in these Rooms, 26 March, 1998, lot 204.
For other impressions see Harunobu, Botsugo nihyakunen ten/Harunobu, exhibition commemorating 200th anniversary of his death, exh. cat. (Tokyo: Tokyo National Museum, 1970), nos. 65, 74 and 78 (no. 74, Tokyo National Museum); Harunobu in Zaigai hiho: Obei shuzo ukiyo-e shusei (Tokyo: Gakushu Kenkyusha, 1969-73) pl. 26; Helen C. Gunsaulus, Harunobu, Koryusai, Shigemasa, their Followers and Contemporaries, in The Clarence Buckingham Collection of Japanese Prints (Chicago: The Art Institute of Chicago, 1965), no. 86; Jack Hillier, Suzuki Harunobu: An exhibition of his colour-prints and illustrated books on the occasion of the bicentenary of his death in 1770, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1970), no. 50 (Art Institute of Chicago); Julius Kurth, Suzuki Harunobu, 2nd revised ed. (Munich: R. Piper & Co., 1923), no. 29; Kano Hiroyuki, Kiyonaga to nishiki-e, Nihon no bijutsu 9, no. 364 (Tokyo: Shibundo, 1996), fig. 30 (MOA Museum of Art, Atami); Kobayashi Tadashi, Harunobu, vol. 2 of Ukiyo-e taikei (Tokyo: Shueisha, 1973), no. 182 (MOA Museum of Art, Atami); Tokyo National Museum, ed., vol. 1 of Tokyo kokuritsu hakubutsukan zuhan mokuroku: Ukiyo-e hanga hen/Illustrated Catalogues of Tokyo National Museum (Tokyo: Tokyo National Museum, 1974), no. 399; Yoshida, gen. ed., Nishiki-e soshi jidai (1), vol. 4 of Ukiyo-e taisei (Tokyo: Taihokaku, 1930), no. 82; and Yoshida, Harunobu zenshu (Tokyo: Takamizawa Mokuhansha, 1942), no. 296.
Another impression was sold in these Rooms, 26 March, 1998, lot 204.