拍品專文
The cabinet decoration depicting large flowering trees and fantastical views of terraced pagodas rising from rocky knolls derives from patterns issued in John Stalker and George Parker's Treatise of Japanning and Varnishing of 1688. The form and decoration of this cabinet was inspired by Oriental prototypes imported in great numbers as trade flourished with the restoration of Charles II in 1660. The taste for lacquer became 'status symbols' for royalty and member of the inner court. A pair of seventeenth century japanned cabinets similarly decorated on a white ground on stands designed by Royal cabinetmaker James Moore form part of the noted collection at Boughton House, Northamptonshire (see T. Murdoch, ed., Boughton House: The English Versailles, London, 1992, col.pl.80). Other similar white japanned cabinets were produced by Gerard Dagley (d.1714) in Berlin (see M. Jarry, Chinoiseries, Paris, 1981, p.156, pl.166 and H. Huth, Lacquer of the West, London, 1971, figs.160-161), as well as in Holland (M. Jarry, op.cit.p.137, pl.142). A William and Mary example was sold the property of a Lady, Christie's London, 4 July 1996, lot 364.
Examples of mid-Georgian furniture featuring unusual dolphin-form feet are discussed in the footnote to lot 172.
Examples of mid-Georgian furniture featuring unusual dolphin-form feet are discussed in the footnote to lot 172.