Details
AN ETCHU UDA UTSUSHI TANTO
MUROMACHI PERIOD (CIRCA 1430), SIGNED UDA KUNISHIGE

Configuration (sugata): of flat, wedge section (hira-zukuri), with shallow peaked back (iori-mune) and slight uchizori; length (nagasa): 7 sun, 1 bu (21.4cm.).
Forging pattern (jihada): wood grain (itame).
Tempering pattern (hamon): a wide hamon of komidare with bright shining lines in the hamon (kinsuji), together with some leaf-shaped tempering (yo) and 'legs' (ashi) in large nie and with some nie scattered in the ji; along the entire length of the mune is a display of faint tempering (muneyaki) closely resembling utsuri.
Point (boshi): an extremely long finger-like form terminating in a very small brushed tip (ko-hakikake).
Tang (nakago). Shape (keitai): wide, slightly tapering and with a dropping back; file marks (yasurime): kiri-yasuri; end (nakagojiri): rounded (kuri-jiri); holes (mekugi-ana): two (one plugged); signature (mei): Uda Kunishige.

Shirasaya with attestation by Homma Junji.

Silk storage bag; wooden storage box.

Accompanied by a tokubetsu kicho token certificate, no. 4657(8?), Showa 35 (1960), issued by the N.B.T.H.K.

Lot Essay

This blade harks back to late Kamakura period examples such as those of Go Yoshihiro and Rai Kuniyuki, with wide Soshu-like tempering, and a configuration including uchizori and a slight drop in the back of the tang.

The founder of the Uda group, Kunimitsu, moved to Etchu from Uda in about 1317 and "Kuni" was used by subsequent members in their names: Kunifusa, Kunimune, Kunihisa, Kunishige, Kuniyasu, Kunihiro, Kunimori, Kunihira, etc. In the past, swords of this group (Udamono) were categorized as rustic (inabamono) or provincial (bachigaemono) blades. The fact remains, however, that the origins of the Uda school were in Yamato and this is why the outstanding Uda works bear such a strong resemblance to the works of the early Soshu tradition which sprang from the Awataguchi school.

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