A pair of French silver dessert-stands
VAT rate of 5% is payable on hammer price plus bu… Read more
A pair of French silver dessert-stands

MARK OF JEAN-BAPTISTE-CLAUDE ODIOT, PARIS, 1798-1809

Details
A pair of French silver dessert-stands
Mark of Jean-Baptiste-Claude Odiot, Paris, 1798-1809
Each on incurved triangular base, with beaded, guilloche, foliate scroll and stiff-leaf borders, the palmette column stem surrounded by three classical female figures, each with outstretched arms joined by floral wreaths, supporting a shallow bowl, the detachable plain liner with shell bracket handles, the slightly domed cover with bud finial and anthemion and acanthus foliage calyx, each marked on base, foot-rim,
12in. (30.5cm.) high
273oz. (8,511gr.) (2)
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium

Lot Essay

This dessert-stand, also called a tureen or coupe d'entremets, is after a design by Auguste Moreau and A.L.M. Cavelier for J.B.C. Odiot for the 'Madame Mére' service, Paris, 1806. A set of four silver-gilt dessert stands were made for Letizia Bonaparte, the mother of Napoleon, (illustrated in A. Phillips and J. Sloane, Antiquity Revisited: French and English Silver-Gilt from the Collection of Audrey Love, p.8-9), all now in Al-Tajir Collection.

The influence the best French designers had upon English silver at this date is demonstrated by the very similar dessert-stand by Paul Storr, London, 1808, sold Christie's London, 22 November 2000 lot 133, formerly from the John Pierpont Morgan Collection.

This lot is marked with unusual Paris marks. The cockerel standard mark for first standard silver is flanked by the letter A and numeral 1, also the excise mark of a man's head is between an 8 and 5 inverted and reversed. A similar combination of marks is found on a tea-urn by Odiot, dated 1789-1809 thought to have been part of the Borghese service (F. Dennis, Three Centuries of French Domestic Silver, New York, 1960, vol. I no. 265 and vol. II. p. 92). More recently it has been suggested that the A is actually a date letter for 1798 and the inverted 8 and 5 an engraver's error (C. Arminjon, J. Beaupuis and M. Bilimoff, Dictionnaire des poincons de fabricants d'ouvrages d'or et d'argent de Paris et de la Seine, 1798-1838, Paris, 1991, p.3)

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