A HUANGHUALI BASIN STAND, MIANPENJIA
This lot is exempt from Sales Tax. THE PROPERTY OF THE METROPOLITAN MUSEUM OF ART*
A HUANGHUALI BASIN STAND, MIANPENJIA

EARLY 18TH CENTURY

Details
A HUANGHUALI BASIN STAND, MIANPENJIA
EARLY 18TH CENTURY
The basin stand with attached towel rack of two tall uprights attached at the top by a crestrail terminating in carved phoenixes holding sprigs of lingzhi fungus in their beaks, and flanked on the outside by hanging shaped openwork spandrels carved with further phoenixes, intertwined branches and leaves, supported by a similarly carved shaped openwork apron with beaded edge, above two horizontal stretchers inset with a central carved openwork panel of a pair of birds in flight suspending a chime above a garden stool amidst flowers and rockwork, above a curvilinear beaded apron, and connected to the basin stand by an upper and lower wheel-shaped tielimu stretcher of six spokes, the tops of the legs of the stand terminating in carved double-lotus pods, the upper stretcher supported beneath by scrolling 'S' and 'C'-shaped struts; the metal basin of later date
75½ in. (191.8 cm.) high, 23 in. (58.4 cm.) wide, 21½ in. (54.6 cm.) deep (2)
Literature
S. Handler, Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, p. 342, fig. 20.13.
Special notice
This lot is exempt from Sales Tax.

Lot Essay

For a discussion of this form, and in particular, the present lot, refer to Sarah Handler's article, "Ablutions and Washing Clean: The Chinese Washbasin and Stand", Journal of the Classical Chinese Furniture Society, Autumn 1991, pp. 23-6, and her expanded research in Austere Luminosity of Chinese Classical Furniture, Berkeley, 2001, pp. 332-44.

The decorative elements such as the phoenix, combined with the birds, chime and stool in a garden setting, suggest that this stand may have been part of a bride's dowry, and would have stood in a Chinese lady's chamber.

Compare an elaborate example with similar hanging openwork spandrels and a central panel carved with blossoming magnolia, also with lotus finials, sold in these rooms, Important Chinese Furniture: Formerly the Museum of Classical Chinese Furniture Collection, 21 September 1996, lot 101. A slightly plainer example is illustrated by Wang Shixiang in Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties, vol. II, Hong Kong, 1990, p. 185, E43.

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