拍品专文
The magnificent china-cabinet, japanned in imitation of lacquer and intended for vase and porcelain display both inside and on top, as well as underneath its stand, reflects the Chinese fashion focused around 1800 at George, Prince of Wales's Carlton House mansion, London and his Marine Pavilion at Brighton. It relates in particular to the artistic work of his sister Princess Elizabeth, who decorated an apartment at Frogmore, Windsor in the 1790s with wall-panels, and furniture, including a folding fire-screen and low china-cabinets, in 'imitation of rich japan' (W. H. Pyne, Royal Residences 1817-1820; and D. Watkin, The Royal Interiors of Regency England, London, 1984, p. 97). The cabinet's doors, like the latter screen, are decorated in the manner of mid-eighteenth century Chinese lacquer twelve-fold screens such as that listed in 1818 at Nostell Priory, Yorkshire as 'of the rare and fine Japan enamelled in gold and coloured figures and landscapes etc.' (D. S. Howard, A Tale of Three Cities: Three Centuries of Sino-British Trade in the Decorative Arts, 1997, no. 227). The elegant form of the cabinet, with its geometric trellised grill and its stand's palm-wrapped and herm-tapered legs, relates to the French antique fashion promoted by Thomas Sheraton's, Cabinet-Maker and Upholsterer's Drawing Book, 1793-4. A pair of related cabinets, made with lacquered panels from a screen, is at Scone Palace, Scotland (J. Jauncey, Scone Palace, guidebook, 2003, p. 32).