拍品专文
The stitching on this embroidery is exceptionally fine and the silk floss of a very high quality. According to J. Vollmer, op. cit., this embroidery is from a set of five unused panels and "in three other known panels, the pattern for the Buddha remains the same, but the colors vary from figure to figure, suggesting that they were to be read as the Five Transcendent Buddhas".
Compare with another similar, but slightly larger example on red silk dated Yuan or early Ming in the National Gallery, Prague, depicting a standing Buddha, illustrated by L. Hajek, Chinese Art, London, p. 228.
Compare with another similar, but slightly larger example on red silk dated Yuan or early Ming in the National Gallery, Prague, depicting a standing Buddha, illustrated by L. Hajek, Chinese Art, London, p. 228.