A FINE AND RARE LAVENDER-BLUE GLAZED MALLOW-FORM CUPSTAND
A FINE AND RARE LAVENDER-BLUE GLAZED MALLOW-FORM CUPSTAND

YONGZHENG FOUR-CHARACTER SEALMARK WITHIN DOUBLE-CIRCLES AND OF THE PERIOD (1723-1735)

細節
清雍正 天藍釉團壽心葵花式盞托 雙圈雙行四字篆書款

托呈六瓣葵花形,花瓣相疊,足圈內凹。托中央凸起盃槽,槽心印團壽紋。底青花雙圈內書「雍正年製」楷書款。

天藍釉創燒於康熙朝,至雍正時承前朝之基礎上工藝又更進一步。雍正時天藍釉有深、淺兩種,深者似雨後晴空;淺者近乎月白。如此器為後者釉質瑩潤,色澤純淨雅淡,柔和悅目。

此器為仇焱之舊藏,1980年11月25日於香港蘇富比仇焱之藏瓷專拍中拍賣,拍品75號。
來源
The Edward T. Chow Collection, Ming and Qing Porcelain, sold at Sotheby's Hong Kong, 25 November 1980, lot 75
Greenwald Collection, no. 48
出版
Gerald M. Greenwald, The Greenwald Collection, Two Thousand Years of Chinese Ceramics, 1996, Catalogue, no. 48

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拍品專文

The floral form of the present cupstand is reminiscent of Song dynasty lacquer wares such as the two rare lacquer mallow-form dishes from the Lee Family Collection, sold at Christie's Hong Kong, 3 December 2008, lots 2103 and 2107. These Song lacquer dishes were originally inspired by floral-shaped ceramics at the Ding kilns. By the Qing dynasty, floral forms made successful appearances in monochrome ceramics such as the Yongzheng-marked yellow-enamelled moulded lotus dish in the National Palace Museum, Taipei, included in the exhibition, Qingdai Danseyou Ciqi, Monochromes of the Qing Dynasty, Taipei, 1981, p. 73, no. 27.

The present cupstand appears to be unique. A related unmarked cupstand moulded of six-petal form covered with a Guan-type glaze, dated to the 18th century, and a lotus leaf form brushwasher, are both illustrated by B. Gyllensvard, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl. 200-224.

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