AN IMPORTANT AND VERY RARE INSCRIBED YIXING 'PUMPKIN' TEAPOT AND COVER
AN IMPORTANT AND VERY RARE INSCRIBED YIXING 'PUMPKIN' TEAPOT AND COVER
AN IMPORTANT AND VERY RARE INSCRIBED YIXING 'PUMPKIN' TEAPOT AND COVER
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THE PROPERTY OF DR ELIZABETH SHING
AN IMPORTANT AND VERY RARE INSCRIBED YIXING 'PUMPKIN' TEAPOT AND COVER

KANGXI-YONGZHENG PERIOD, IMPRESSED SEALMARK OF CHEN MINGYUAN (1662-1735)

Details
AN IMPORTANT AND VERY RARE INSCRIBED YIXING 'PUMPKIN' TEAPOT AND COVER
KANGXI-YONGZHENG PERIOD, IMPRESSED SEALMARK OF CHEN MINGYUAN (1662-1735)
Exquisitely modelled in the form of a pumpkin, the extremely thin smooth body of dark red stoneware, divided into seven lobes continuing to the underside base, the spout is superbly rendered in a curled leaf-form, the handle formed by a naturalistically twisted stem, surmounted by a matching cover with a stalk finial, inscribed on one side with a short poem, followed by the name of the artist, Yuan Ming, and a stamped, Chen Ming Yuan, square sealmark
7 in. (17.8 cm.) across, box
Literature
The Stonewares of Yixing, Dr K.S. Lo, Hong Kong, 1986, p. 61, pl. XXVIII
Exhibited
Hong Kong Museum of Art, 1989

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Lot Essay

Chen Mingyuan, one of the most famous and versatile Yixing potters, was active during the Kangxi/Yongzheng periods (1662-1735). His works included teapots and articles for the scholar's table, many simulating objects from nature such as those in the K.S. Lo Collection, now in the Flagstaff House Museum Tea Ware, illustrated in The Art of the Yixing Potter, Hong Kong Museum of Art, 1990, pp. 139-142. Among those in the K.S. Lo Collection are illustrated with the artist's sealmarks, ibid., a flowering prunus branch, no. 19; a caltrop fruit, no. 20, a water-chestnut, no. 21; a walnut, no. 22; peanuts, no. 23; a chestnut, no. 24, and an arrowroot, no. 25.

The short inscription is derived from a poem by the Song poet, Su Dongpo (1037-1110), which reads: guqing ruoni he qiezheng, which Dr Lo, op. cit., Hong Kong, 1986, p. 83, as:

The Spirit is so refined,
The body is so smooth,
That makes a perfect harmony.


The author also mentioned that: "... the presence of inscriptions on the body, instead of on the base, indicates what was to be the typical Qing style of decorating a pot. It is interesting to compare this pot with the example, also based on a pumpkin, by Mingyuan's father, Chen Ziqi. The son's work is much more refined than the father's", ibid. Chen Ziqi's teapot is illustrated by T. Bartholomew, I-hsing Ware, China Institute in America, 1977, pl. 4.

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