EIGHT PAINTINGS FROM A MANUSCRIPT OF FIRDAWSI'S SHAHNAMA
EIGHT PAINTINGS FROM A MANUSCRIPT OF FIRDAWSI'S SHAHNAMA
EIGHT PAINTINGS FROM A MANUSCRIPT OF FIRDAWSI'S SHAHNAMA
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EIGHT PAINTINGS FROM A MANUSCRIPT OF FIRDAWSI'S SHAHNAMA
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EIGHT PAINTINGS FROM A MANUSCRIPT OF FIRDAWSI'S SHAHNAMA

FOUR SIGNED GHULAM MUSTAFA, MUGHAL DELHI, CIRCA 1800

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EIGHT PAINTINGS FROM A MANUSCRIPT OF FIRDAWSI'S SHAHNAMA
FOUR SIGNED GHULAM MUSTAFA, MUGHAL DELHI, CIRCA 1800
Gouache heightened with gold on paper, each folio depicting a scene from the Shahnama, four of the paintings signed Ghulam Mustafa, each with lines of black nasta'liq arranged in four columns with double gold intercolumnar rule, headings in red nasta'liq, verso of each with 25ll. of similar black nasta'liq, the text within gold and polychrome rules on wide buff margins, mounted
Text panels 10¼ x 5¾in. (25.9 x 14.3cm.); folios 15½ x 10¾in. (39.4 x 27cm.)

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Lot Essay

The paintings include:
1. The white-haired Zai and Rudabeh conversing on a terrace
2. Bizhan kills Mahuy to avenge Yazdegerd (signed Ghulam Mustafa)
3. The captive Zahhak brought in front of Faridun
4. Nariman killing the Khaqan of Chin in battle (signed Ghulam Mustafa)
5. Khusraw Parviz enthroned (signed Ghulam Mustafa)
6. Bahram Chubina enthroned (signed Ghulam Mustafa)
7. Manucher, son of Iraj, enthroned below a canopy
8. Afrasiyab kills his brother Aghrirath

These paintings originate from a workshop which had no shortage of materials which is illustrated by the range of colours used together with a large quantity of gold pigment. A Kulliyat of Sa’di in the Chester Beatty Library has very similar illustrations which Linda Leach attributes to early 19th Century Delhi, ((Linda York Leach, Mughal and other Indian Paintings from the Chester Beatty Library, London, 1995, no. 8.23, p. 805).

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