A SEVRES PORCELAIN ROSE MARBRE TEAPOT AND COVER (THEIERE 'CALABRE', 5EME GRANDEUR)
THE PROPERTY OF A GENTLEMAN (LOTS 619-620)
A SEVRES PORCELAIN ROSE MARBRE TEAPOT AND COVER (THEIERE 'CALABRE', 5EME GRANDEUR)

BLUE INTERLACED L'S ENCLOSING DATE LETTER I FOR 1761, UNIDENTIFIED PAINTER'S CL

Details
A SEVRES PORCELAIN ROSE MARBRE TEAPOT AND COVER (THEIERE 'CALABRE', 5EME GRANDEUR)
BLUE INTERLACED L'S ENCLOSING DATE LETTER I FOR 1761, UNIDENTIFIED PAINTER'S Cl
Oviform with ranunculus finial, loop handle and angled spout, painted with panels of birds perched on branches reserved within gilt ciselé bands on the pink and blue faux-marble ground enriched in gilt
3¾ in. (9.5 cm.) high (2)
Provenance
With Dragesco & Cramoisan, Paris.
The Property of a California Collector; Christie's, New York, 19 May 2004, lot 80.
Sale room notice
ADDITIONAL PROVENANCE
Collection Henry Costa de Beauregard, Paris; Auction sale, Paris, 4 February 1926, lot 46.
Dr. and Mrs. Ulrich Fritzsche, Seattle, Washington.

LITERATURE
Yvonne Dallot-Naudin and Alain Jacob, Porcelaines Tendres Françaises: Rouen, L. Poterat, St-Cloud, Mennecy, Chantilly, Bourg la Reine, Vincennes, p. 226, illus.

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Lot Essay

Given its rare small size, the present teapot would likely have formed part of a solitaire, matched with a cup and saucer on a small tray.

The application of the rose marbré ground was complex, involving the application of a blue ground over a fired pink ground and the scraping away of the blue to reveal the pink below in a desired marbled pattern. The same subtle difference in the treatment of the rose marbré ground on the long and short sides is apparent on the pair of smaller cuvettes 'Mahon' in the collection of the British Museum. See A. Dawson, French Porcelain, A Catalogue of the Collection of the British Museum, London, 1994, p. 115, no. 103, color plate 16.

A pair of cups and saucers similarly decorated to the present examples from the collection d'un amateur, the bird painting by Evans, was sold Christie's, Paris, 15 May 2003, lot 85.

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