JASPER JOHNS (B. 1930)
Summer Critic
Details
JASPER JOHNS (B. 1930)
Summer Critic
signed, titled and dated ‘SUMMER CRITIC J. Johns ‘66’ (on the reverse)
cement, wax and glass
3 ½ x 7 ½ x 2 ⅜ in. (8.9 x 19.1 x 6 cm.)
Executed in 1966.
Summer Critic
signed, titled and dated ‘SUMMER CRITIC J. Johns ‘66’ (on the reverse)
cement, wax and glass
3 ½ x 7 ½ x 2 ⅜ in. (8.9 x 19.1 x 6 cm.)
Executed in 1966.
Provenance
Shuzo Takiguchi, gift of the artist, 1966
By descent from the above to the present owner
By descent from the above to the present owner
Literature
Y. Tono, "Art Diary: Jasper Johns in Tokyo," BijutsuTecho, August 1964, p. 6.
P. Higginson, "Jasper's Non-Dilemma: A Wittgensteinian Approach," New Lugano Review, no. 10, 1976, pp. 53-60.
R. Bernstein, Jasper Johns Painting and Sculptures, 1954-1974: The Changing Focus of the Eye, Ann Arbor, 1985, pp. 56 and 146.
J. Roberts, ed., Art Has No History, Ann Arbor, 1994, p. 129.
F. Orton, Jasper Johns: The Sculptures, exh. cat., Leeds, Center for the Study of Sculpture, Henry Moore Institute, 1996, p. 66.
K. Varnedoe, ed., Jasper Johns: Writing Sketchbook Notes, Interviews, New York, 1996, p. 55.
R. Bernstein, Jasper Johns: Catalogue Raisonné of Painting and Sculpture, Volume 1, New Haven and London, 2016, p. 101 (illustrated).
R. Bernstein, Jasper Johns: Catalogue Raisonné of Painting and Sculpture, Volume 4, Sculpture, New Haven and London, 2016, pp. 96-97, no. S48 (illustrated).
R. Bernstein, ed., Jasper Johns: Something Resembling Truth, exh. cat., London, Royal Academy of Arts, 2017, p. 56.
P. Higginson, "Jasper's Non-Dilemma: A Wittgensteinian Approach," New Lugano Review, no. 10, 1976, pp. 53-60.
R. Bernstein, Jasper Johns Painting and Sculptures, 1954-1974: The Changing Focus of the Eye, Ann Arbor, 1985, pp. 56 and 146.
J. Roberts, ed., Art Has No History, Ann Arbor, 1994, p. 129.
F. Orton, Jasper Johns: The Sculptures, exh. cat., Leeds, Center for the Study of Sculpture, Henry Moore Institute, 1996, p. 66.
K. Varnedoe, ed., Jasper Johns: Writing Sketchbook Notes, Interviews, New York, 1996, p. 55.
R. Bernstein, Jasper Johns: Catalogue Raisonné of Painting and Sculpture, Volume 1, New Haven and London, 2016, p. 101 (illustrated).
R. Bernstein, Jasper Johns: Catalogue Raisonné of Painting and Sculpture, Volume 4, Sculpture, New Haven and London, 2016, pp. 96-97, no. S48 (illustrated).
R. Bernstein, ed., Jasper Johns: Something Resembling Truth, exh. cat., London, Royal Academy of Arts, 2017, p. 56.
Exhibition
Tokyo, Setagaya Art Museum; Toyama, Museum of Modern Art, Drifting Objects of Dreams: The Collection of Shuzo Takiguchi, February-July 2005, p. 114, no. PC-009 (illustrated).
Chiba City Museum of Art, Shuzo Takiguchi and Marcel Duchamp, November 2011-January 2012, p. 155, no. 134 (illustrated).
Philadelphia Museum of Art, Jasper Johns: Mind/Mirror, September 2021–February 2022, pp. 115, 123 and 139, pl. 11 (illustrated).
Chiba City Museum of Art, Shuzo Takiguchi and Marcel Duchamp, November 2011-January 2012, p. 155, no. 134 (illustrated).
Philadelphia Museum of Art, Jasper Johns: Mind/Mirror, September 2021–February 2022, pp. 115, 123 and 139, pl. 11 (illustrated).
Brought to you by
Joanna Szymkowiak
Senior Vice President, Senior Specialist, Head of Private Sales