Jean Cocteau

Jean Maurice Eugène Clément Cocteau (1889–1963) was a multifaceted French artist, poet, novelist, designer, film director and critic. His diverse body of work spanned various mediums, including novels, plays, essays, drawings, sculpture and films. A leading figure pf the Surrealist, avant-garde and Dadaist movements, Cocteau’s life was marked by a wealth of creativity and artistic exploration.

Born in Maisons-Laffitte in 1889, Cocteau hailed from a socially prominent Parisian family. His father, a lawyer and amateur painter, died by suicide when Cocteau was just nine years old. Despite this early loss, he went on to attend the Lycée Condorcet, where he met and formed a lasting relationship with schoolmate Pierre Dargelos — a figure who would reappear throughout Cocteau’s work.

Described by the National Observer as someone ‘closest to being a Renaissance man’ in 20th-century art, Jean Cocteau displayed an extraordinary creative prowess throughout his lifetime. At the age of 19, Cocteau published his first volume of poems, La Lampe d’Aladin (Aladdin’s Lamp). His vast literary output included novels such as Le Grand Écart (1923), Le Livre Blanc (1928), and the iconic Les Enfants Terribles (1929). His stage plays, including La Voix Humaine (1930) and Les Parents Terribles (1938), showcased his talent for drama.

As a filmmaker, Cocteau directed influential works like The Blood of a Poet (1930), Beauty and the Beast (1946), and Orpheus (1950). The latter two, along with Testament of Orpheus (1960), form the Orpheus Trilogy. His films introduced the avant-garde into French cinema and his unique aesthetic influenced the upcoming French New Wave.

Cocteau was at the centre of early 20th-century art, maintaining friendships and collaborating with prominent artists such as Pablo Picasso, Amedeo Modigliani, Lee Miller, among many others. He collaborated with Coco Chanel on costume design and was influenced by the Ballets Russes, which added a dynamic element to his theatrical works.

Cocteau’s artistic endeavours extended to ceramics and other visual arts, demonstrating his versatility and innovation. His fascination with themes like metamorphosis is evident in his diverse works, which often explore transformation and change. Jean Cocteau died of a heart attack in 1963 at the age of 74.

Despite his varied accomplishments, Cocteau insisted on calling himself a poet. His legacy remains in its artistic expression, leaving behind an almost inexhaustible archive of poetry, novels, plays, essays, drawings, sculpture and cinematic works.


RADIGUET, Raymond (1903-1923)

Le Diable au Corps . Manuscrit autographe, non signé, daté « samedi 20 août 1921, 5 heures du soir ».

PICASSO, Pablo (1881-1973), André SALMON (1881-1969) et Jean COCTEAU (1889-1963)

Le manuscrit trouvé dans un chapeau. Paris : société littéraire de France, 1919

JEAN COCTEAU (1889-1963)

Portrait de Madame Schiaparelli

SATIE, Erik (1866-1925), Pablo PICASSO (1881-1973) et Jean COCTEAU (1889-1963)

Parade. Ballet réaliste. Sans lieu [Paris : Rouart, Lerolle & Cie], 1917.

JEAN COCTEAU (1889-1963)

Deux têtes de Licorne

JEAN COCTEAU (FRENCH, 1889-1963)

Portrait de Nijinski dans le Spectre de la Rose

Jean Cocteau (1889-1963)

Bélier deux faces

Jean Cocteau (1889-1963)

THÉATRE DE MONTE-CARLO, BALLET RUSSE; KARSAVINA

Jean Cocteau (1889-1963)

Jeune homme se reposant

Jean Cocteau (1889-1963)

THÉATRE DE MONTE CARLO, BALLET RUSSE; NIJINSKY

Jean Cocteau (1889-1963)

Tête d'homme aux yeux poisson

Jean Cocteau (1889-1963)

Trois faces - noir et rose

Jean Cocteau (1889-1963)

Trio I; II; III

Jean Cocteau (1889-1963)

Les Trois-Yeux verts

JEAN COCTEAU (1889-1963)

FAUNE AUX ARABESQUES

Jean Cocteau (1889-1963)

Les Indes galantes (A.G. 141)

Jean Cocteau (1889-1963)

Les Dioscures

Jean Cocteau (1889-1963)

Profil d'homme

Jean Cocteau (1889-1963)

L'Indescret (A.G. 271)

Jean Cocteau (1889-1963)

Sans titre (Homme/femme)

JEAN COCTEAU (1889-1963)

Hermès (Mercure)

Jean Cocteau (1889-1963)

Homage aux Étrusques

JEAN COCTEAU (1889-1963)

Untitled (Tête d'homme de profil)

Jean Cocteau (1889-1963)

Fleur des yeux (A.G. 176)

Jean Cocteau (1889-1963)

Marrakech (A.G. 152)

Jean Cocteau (1889-1963)

Les Hellènes

Jean Cocteau (1889-1963)

Protée (A.G. 206)

JEAN COCTEAU (1889-1963)

Scène d'intérieur (le Satiricon), Encolpe et Giton

Jean Cocteau (French, 1889-1963)

Danseuse et Musiciens (from Danses antiques)

Jean Cocteau (1889-1963)

Athéna (Minerve)

Jean Cocteau (1889-1963)

Le génie des bois

Jean Cocteau (1889-1963)

Portrait de Roland Petit ( recto ); Étude de tête d'oiseau ( verso )

Jean Cocteau (1889-1963)

Le joueur de pipeau

JEAN COCTEAU (1889-1963)

Tête d'arlequin sur bleu

JEAN COCTEAU (1889-1963)

Orphée à la lyre

Jean Cocteau (1889-1963)

Le Théâtre Antique

Jean Cocteau (1889-1963)

L'Appel du faune noire

JEAN COCTEAU (1889-1963)

Bouc aux cornes blanches (A.G. 209)

Jean Cocteau (1889-1963)

Double profil sur noir (A.G. 225)

Jean Cocteau (1889-1963)

Double-profil sur blanc (A.G. 32)

Jean Cocteau (1889-1963)

Le fou du roy (A.G. 161)

Jean Cocteau (French, 1889-1963)

Chêvre-pied boudeur

Jean Cocteau (1889-1963)

Le Rideau rouge