Rembrandt etchings

Rembrandt van Rijn’s etchings demonstrate unparalleled mastery of line, light and shadow. Working primarily in etching with occasional drypoint, he produced prints that range from intimate portraits to complex biblical and historical scenes. His etchings are celebrated for their rich tonal contrasts, intricate detail and expressive use of line, capturing both physical likeness and psychological depth. These works reveal Rembrandt’s innovative approach to printmaking and his ability to convey narrative, atmosphere and emotion on paper.

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Arnout Tholinx, Inspector

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ presented to the people (‘Ecce Homo’)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Jerome reading in an Italian Landscape

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ healing the Sick ('The Hundred Guilder Print')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Shell (Conus Marmoreus)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ crucified between two Thieves: ‘The Three Crosses’

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Woman sitting half dressed beside a Stove

Rembrandt Harmensz. van Rijn (1606-1669)

Christ crucified between the two Thieves: 'The Three Crosses' (B., Holl. 78; H. 270)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Angel departing from the Family of Tobias (copperplate and print)

Rembrandt Harmensz. van Rijn

The Three Trees (B., Holl. 212; H. 205; New Holl. 214)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Scholar in his Study ('Faust')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Flight into Egypt: a Night Piece

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Jerome reading in an Italian Landscape

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with three gabled Cottages beside a Road

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait etching at a Window

Rembrandt Harmensz. van Rijn

The Agony in the Garden (B., Holl. 75; H. 293)

Rembrandt Harmensz. van Rijn

Saint Jerome reading in an Italianate Landscape (B., Holl. 104; H. 267)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Jupiter and Antiope: the larger Plate

Rembrandt Harmensz. van Rijn (1606-1669)

Landscape with three gabled Cottages beside a Road (B., Holl. 217; H. 246)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait leaning on a Stone Sill

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Scholar in his Study ('Faust')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The French Bed ('Het Ledikantje')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with three gabled Cottages beside a Road

Rembrandt Harmensz. van Rijn

Jan Lutma, Goldsmith (B., Holl. 276; H. 290; New Holl. 293)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ and the Woman of Samaria: an arched Print

Rembrandt Harmensz. van Rijn

Adam and Eve (B., Holl. 28; H. 159)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Abraham entertaining the Angels

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Monk in the Cornfield

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Scholar in his Study ('Faust')

Rembrandt Harmensz. van Rijn

Recueil de Quatre-Vingt-Cinq Estampes originales, Têtes, Paysages et différents Sujets, dessinées et gravés par Rembrandt

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Angel appearing to the Shepherds

Rembrandt Harmensz. van Rijn

Abraham Francen, Apothecary (B., Holl. 273; H. 291)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Francis beneath a Tree praying

REMBRANDT HARMENSZ. VAN RIJN (1606- 1669)

Christ healing the Sick ('The Hundred Guilder Print')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Recueil de Quatre-Vingt-Cinq Estampes originales, Têtes, Paysages et différents Sujet, dessinées et gravées par Rembrandt

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ preaching ('La Petite Tombe')