Considered the greatest artist of the Dutch Golden Age, Rembrandt Harmenszoon van Rijn revolutionised painting with an exceptional command of light, shadow and brushwork, possessing his scenes and subjects with uncompromising realism and ambitious psychological intensity.
Born in Leiden in 1606, Rembrandt made his name after 1631 in the booming port of Amsterdam, painting portraits, Biblical scenes, landscapes and animal studies for a newly minted mercantile class. Although he never went abroad his art was indebted to the Italian Baroque painter Caravaggio, whose innovative use of chiaroscuro, developed around the start of the century, had recently made way to Holland via the travelling Dutch artists Hendrick ter Brugghen, Gerrit van Honthorst and Dirck van Baburen.
Following Amsterdam’s Protestant Reformation of 1578, commissions from the church dried up — instead Rembrandt had to look to civic bodies for patronage. An order placed circa 1639 resulted in his most famous painting: a huge, dynamic group portrait of a local militia emerging from a dark alley called The Night Watch (1642, Rijksmuseum).
Approximately 50 of Rembrandt’s 300 or so paintings were self-portraits, spanning the entirety of his 40-year career. He elevated the medium to new heights of autobiography, adopting unconventional facial expressions, props and costumes to convey his ever changing moods. Over time, he also developed an impasto technique, applying thick layers of paint with strokes of a palette knife or the bristles of his brush to build up a tactile surface of his aging, ruddy and wrinkled face.
Rembrandt was also a prolific printer. Hugely experimental with his range of mark-making and the tonal qualities of the medium, he produced some 300 etchings and drypoints, which were widely circulated around Europe during his lifetime and are still considered a benchmark of the skill.
Despite his success, Rembrandt squandered his fortune, spending compulsively on art and antiques. In 1656 he declared bankruptcy and surrendered his assets in an attempt to settles his debts. In 1669, at the age of 63, he died penniless and was buried in an unmarked grave. Today, his legacy endures. In 2009 Christie’s sold Rembrandt’s Portrait of a man with arms akimbo for £20,201,250, setting a world auction record for the artist.
Browse Rembrandt prints, drawings & watercolors
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait with curly Hair and white Collar: Bust
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait with Cap pulled forward
REMBRANDT HARMENSZ. VAN RIJN (1606-1669) AND WORKSHOP
Self-Portrait in a slant Fur Cap: Bust
REMBRANDT HARMENSZ. VAN RIJN (1606-1669) AND WORKSHOP
Self-Portrait in a Cloak with a falling Collar: Bust
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait in a soft Hat and embroidered Cloak
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman, etc.
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait in a Cap and Scarf with the Face dark: Bust
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Self-Portrait (?) with plumed Cap and lowered Sabre
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Arnout Tholinx, Inspector
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Cornelis Sylvius
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Manasseh Ben Israel
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Man at a Desk wearing a Cross and Chain
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Cornelis Sylvius, Preacher
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Asselijn, Painter (' Krabbetje ')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Thomas Haaringh ('Old Haaringh')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Thomas Haaringh ('Old Haaringh')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Pieter Haaringh ('Young Haaringh')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Lutma, Goldsmith
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Abraham Francen, Apothecary
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Lieven Willemsz. van Coppenol, Writing Master: Smaller Plate
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Antonides van der Linden
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Triumph of Mordecai
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
David in Prayer
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Image seen by Nebuchadnezzar, from: Four Illustrations to Manasseh Ben Israel 'Piedra Gloriosa'
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jacob’s Ladder, from: Four Illustrations to Manasseh Ben Israel 'Piedra Gloriosa'
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Daniel's Vision of the four Beasts, from: Four Illustrations to Manasseh Ben Israel 'Piedra Gloriosa'
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Abraham's Sacrifice
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Angel appearing to the Shepherds
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Adoration of the Shepherds: with the Lamp
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Adoration of the Shepherds: A Night Piece
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Presentation in the Temple with the Angel: Small Plate
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Circumcision: Small Plate
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Circumcision
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Circumcision in the Stable
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Virgin and Child with the Cat and the Snake
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Flight into Egypt: A Sketch (Joseph leading the Ass)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Flight into Egypt: a Night Piece
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Flight into Egypt: a Night Piece
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ seated disputing with the Doctors
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ driving the Money Changers from the Temple
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ and the Woman of Samaria: an arched Print
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Raising of Lazarus: small Plate
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ healing the Sick ('The Hundred Guilder Print')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ preaching ('La Petite Tombe')
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ presented to the People (‘Ecce Homo’)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ crucified between the two Thieves: 'The Three Crosses'
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Descent from the Cross by Torchlight
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Entombment
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Christ at Emmaus: the smaller Plate