Clocks

Clocks occupy a distinguished place within the history of decorative and scientific objects, valued for their precision, craftsmanship and design. The first mechanical clocks were invented in the early 14th century, with designs evolving into symbols of innovation and status across European interiors.

Often crafted in wood, brass, porcelain and gilt bronze, many clocks feature elaborate cases and finely engineered movements. Christie’s has sold clocks since its first auction in 1766, including works from the ‘Golden Age’ of clockmaking by Thomas Tompion, George Graham and Daniel Quare. Pieces by Fabergé, Cartier and Tiffany & Co. are particularly renowned for their combination of functionality with artistic opulence — the Rothschild Fabergé Egg, which contains a clock, was sold by Christie’s for £8.9 million in 2007.


A GEORGE III ORMOLU 'CABINET' TIMEPIECE TABLE CLOCK

ATTRIBUTED TO JAMES COX, LONDON, CIRCA 1765

A GERMAN ENGRAVED GILT-BRASS AND COPPER STRIKING AND AUTOMATON LION CLOCK

PHILIPP MILLER (THE OLDER OR YOUNGER), CIRCA 1580/90

AN IMPERIAL CHINESE ORMOLU AND PASTE-SET AUTOMATON, MUSICAL AND STRIKING TABLE CLOCK

GUANGZHOU WORKSHOPS, QIANLONG PERIOD (1736-1795), LATE 18 TH CENTURY

A CHINESE PASTE-GEM-MOUNTED ORMOLU MUSICAL AND AUTOMATON TIMEPIECE TABLE CLOCK

THE CASE GUANGZHOU WORKSHOPS, QIANLONG DYNASTY (1736-1795), INCORPORATING CONTEMPORARY EUROPEAN MECHANISMS (LATE 18TH CENTURY), THE WATCH MOVEMENT SIGNED FOR PERRET, PARIS

A MONUMENTAL EMPIRE ORMOLU AND PATINATED BRONZE MUSICAL ‘SINGING BIRD’ AND AUTOMATON CLOCK

THE DIAL SIGNED BY LOUIS-JACQUES VAILLANT, THE CASE ATTRIBUTED TO CLAUDE GALLE, CIRCA 1805

A CHINESE ORMOLU, WHITE MARBLE AND PASTE-GEM-SET QUARTER-STRIKING 'DOUBLE GOURD' CLOCK WITH SWINGING DIAL

GUANGZHOU WORKSHOPS, QIANLONG PERIOD (1736-1795), LATE 18TH CENTURY

A MAGNIFICENT AND IMPORTANT GERMAN EMERALD, DIAMOND AND ENAMEL-SET SILVER-GILT STRIKING MANTEL CLOCK

ATTRIBUTED TO THE DRESDEN COURT WORKSHOP, POSSIBLY BY JOHANN MELCHIOR DINGLINGER, DRESDEN, CIRCA 1730, THE DIAL SIGNED MARKWICK, THE MOVEMENT 19TH CENTURY

A LOUIS XV ORMOLU-MOUNTED KINGWOOD QUARTER-STRIKING AND MONTH-GOING ORRERY CLOCK WITH CALENDAR AND EQUATION OF TIME

DESIGNED BY AND MADE FOR JACQUES-THOMAS CASTEL, SECRÉTAIRE DU ROI. DATED 1763

AN AUGSBURG MOTHER-OF-PEARL, HORN AND BRASS-INLAID, TORTOISESHELL, PORCELAIN, SILVER AND ORMOLU-MOUNTED ORGAN PRUNKUHR

CIRCA 1725-1730, THE PORCELAIN PROBABLY MEISSEN AND DECORATED IN THE AUFFENWERTH WORKSHOP (AUGSBURG)

A Silver-Gilt Mounted Guilloché Enamel and Bowenite Clock

MARKED FABERGÉ WITH THE IMPERIAL WARRANT, WITH THE WORKMASTER'S MARK OF JULIUS RAPPOPORT, ST PETERSBURG, 1899-1908

A CHARLES II SILVER-MOUNTED EBONY STRIKING ARCHITECTURAL LONGCASE CLOCK

JOHANNES (JOHN) FROMANTEEL, LONDON, CIRCA 1670-72

A GEORGE III GOLD AND AGATE MOUNTED AUTOMATON WATCH; WITH AN ORMOLU AND AGATE MUSICAL AND AUTOMATON CABINET

FROM THE WORKSHOP OF JAMES COX, LONDON, CIRCA 1770, THE WATCH SIGNED AND NUMBERED '1391', THE CABINET'S MUSICAL MOVEMENT NUMBERED '11’, ADAPTED TO ACCOMMODATE A WATCH

A silver-gilt and gold-mounted guilloché enamel sunburst clock

MARKED FABERGÉ, WORKMASTER'S MARK OF MICHAEL PERCHIN, ST. PETERSBURG, CIRCA 1898, WITH SCRATCHED INVENTORY NUMBER 57929

A CHINESE IMPERIAL ORMOLU QUARTER-STRIKING TABLE CLOCK

PALACE CLOCK WORKSHOPS, QIANLONG PERIOD (1736-95)