Collections - Autumn 2025

  • Event date 10月7日 - 11月4日
  • Event location 倫敦、紐約、巴黎
Translate 翻譯此頁

AN EMPIRE ORMOLU VASE

EARLY 19TH CENTURY

A CHARLES X ORMOLU URN

BY PIERRE-PHILIPPE THOMIRE, CIRCA 1825

A PAIR OF LOUIS XVI ORMOLU TWO-BRANCH CANDELABRA

CIRCA 1775, THE ARMS 18TH CENTURY AND POSSIBLY ASSOCIATED

A PAIR OF LOUIS XVI ORMOLU CANDLESTICKS

ATTRIBUTED TO FRANCOIS REMOND AND ALMOST CERTAINLY SUPPLIED BY DOMINIQUE DAGUERRE, CIRCA 1780

A RESTAURATION ORMOLU CENTERPIECE

ATTRIBUTED TO PIERRE-PHILIPPE THOMIRE, CIRCA 1820

A PAIR OF CHARLES X ORMOLU SIX-BRANCH CANDELABRA

POSSIBLY NORTH EUROPEAN, CIRCA 1825

AN ITALIAN GILTWOOD MIRROR

PROBABLY 19TH CENTURY

A PAIR OF LOUIS XV GILTWOOD BERGERES

BY JEAN-BAPTISTE GOURDIN, CIRCA 1755

A LARGE PAIR OF ORMOLU SIX-LIGHT WALL SCONCES

POSSIBLY FRENCH OR GERMAN, THIRD QUARTER 19TH CENTURY

A FRENCH ORMOLU-MOUNTED ROUGE GRIOTTE MARBLE FIRE-SURROUND

OF LOUIS XV STYLE, LATE 19TH/ EARLY 20TH CENTURY

A NORTH ITALIAN GILTWOOD MIRROR

PROBABLY VENICE, SECOND QUARTER 19TH CENTURY OR POSSIBLY EARLIER

A LOUIS XV BEAUVAIS PASTORAL TAPESTRY

FROM THE SERIES 'LA NOBLE PASTORALE', AFTER THE CARTOON BY FRANCOIS BOUCHER, CIRCA 1755-78

A PAIR OF FRENCH GILTWOOD CONSOLE TABLES

20TH CENTURY, POSSIBLY INCORPORATING EARLIER ELEMENTS, MINOR DIFFERENCES IN DIMENSIONS AND CARVING

A FRENCH ORMOLU-MOUNTED MAHOGANY CENTER TABLE

IN THE MANNER OF JEAN-HENRI RIESENER, CIRCA 1900

A FRENCH GILTWOOD AND GRAY-PAINTED CANAPE

AFTER THE DESIGN BY GEORGES JACOB, LAST QUARTER 19TH CENTURY

A FRENCH ORMOLU AND PORCELAIN-MOUNTED MAHOGANY WRITING DESK

SECOND HALF 19TH CENTURY, THE PORCELAIN PLAQUES POSSIBLY 18TH CENTURY

TWO FRENCH (HARD-PASTE) BISCUIT PORCELAIN BLUE-GROUND FLOWER-ENCRUSTED PLAQUES

DATED 1784 AND 1802, EACH WITH INCISED HUMBERT SIGNATURE

A VERY LARGE DUTCH DELFT BLUE AND WHITE CHINOISERIE CHARGER

CIRCA 1660-1680, ATTRIBUTED TO WOUTER OR SAMUEL VAN EENHOORN AT DE GRIEKSCHE A

A LARGE DUTCH DELFT BLUE AND WHITE BOTTLE VASE

LATE 17TH CENTURY, BLUE SVE MARK FOR SAMUEL VAN EENHOORN AT DE GRIEKSCHE A, PAINTED 24

A DUTCH ‘DELFT NOIR’ RECTANGULAR CHINOISERIE TEACADDY AND A SILVER COVER

FIRST QUARTER 18 TH CENTURY, MARKED IN YELLOW A:K ABOVE E OR 2, MOST PROBABLY FOR PIETER ADRIAENSZOON KOCKS AT DE GRIEKSCHE A, THE SILVER COVER OF LATER DATE

A DUTCH DELFT BLUE AND WHITE WIG STAND

LATE 17TH CENTURY, COBALT BLUE SVE MARK FOR SAMUEL VAN EENHOORN AT DE GRIEKSCHE A

A SILVER-MOUNTED DUTCH DELFT BLUE AND WHITE EWER

CIRCA 1680-1690, BLUE PAINTED TH MARK, THE SILVER MOUNTS CIRCA 1700, PROBABLY MATCHED LATER

A VERY LARGE DUTCH DELFT BLUE AND WHITE OVOID JAR

LAST QUARTER 17TH CENTURY, ATTRIBUTED TO GERRIT PIETERSZOON KAM, DE DRIE VERGULDE ASTONNEKENS

A DUTCH DELFT BLUE & WHITE TAZZA

CIRCA 1700-1715, BLUE PK / 7 MARK FOR PIETER KAM AT THE DE DRIE POSTELEYNE ASTONNE FACTORY

A DUTCH DELFT BLUE AND WHITE ARMORIAL SHAPED PLATTER

CIRCA 1691-1700, WITH TRACES OF BLUE MARK ALMOST CERTAINLY FOR LAMBERTUS VAN EENHOORN, DE MATAALE POT, PAINTED 4

A DUTCH DELFT BLUE AND WHITE SPANISH ARMORIAL SHAPED PLATTER

CIRCA 1691-1700, BLUE LVE MONOGRAM MARK FOR LAMBERTUS VAN EENHOORN, DE METAALE POT, ABOVE 4 AND 0

A DUTCH DELFT DATED ARMORIAL PLATE

DATED 1727, BLUE AR MARK

AN EARLY DUTCH CHINOISERIE THEATRICAL TILE PICTURE

CIRCA 1620-1640, HAARLEM OR DELFT