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Event date 9月18日 - 10月28日 -
Event location 倫敦、紐約、巴黎
AN ITALIAN PIETRA DURA PLAQUE
ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, FLORENCE, 17TH CENTURY
A LARGE ITALIAN PIETRA DURA PLAQUE
FLORENCE, MID-18TH CENTURY
AN ITALIAN PIETRA DURA PLAQUE
ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, FLORENCE, 18TH CENTURY
AN ITALIAN PIETRA DURA PLAQUE
ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, LATE 17TH CENTURY
AN ITALIAN PIETRA DURA PLAQUE
ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, FLORENCE, 17TH CENTURY
A PAIR OF OAK ARMCHAIRS
BY CHARLES RENNIE MACKINTOSH, 1898
A SET OF FOUR REGENCE GILTWOOD FAUTEUILS
CIRCA 1720
THOMAS GAINSBOROUGH, R.A. (SUDBURY 1727-1788 LONDON)
Portrait of Dorothea, Lady Eden, née Johnson (1742-1792), seated half-length, resting her hands on an open book
A PAIR OF DUTCH DELFT BLUE AND WHITE PORTRAIT PLAQUES
DATED '1660', ATTRIBUTED TO ISAAC JUNIUS
AN AMERICAN GOLD DRESSING TABLE SERVICE
MARK OF TIFFANY & CO., NEW YORK, FIRST HALF 20TH CENTURY, 18 KARAT
A GEORGE I WALNUT AND SILVER-GILT ‘MINIATURE’ STRIKING TABLE CLOCK WITH PULL REPEAT
DAVID HUBERT, LONDON, CIRCA 1725
A FLEMISH ALLEGORICAL TAPESTRY FROM 'THE SEASONS OF LUCAS' SERIES
BRUSSELS, LATE 17TH CENTURY
A QUEEN ANNE WALNUT ‘MINIATURE’ LONGCASE CLOCK WITH PULL QUARTER REPEAT
CHRISTOPHER GOULD, LONDON, CIRCA 1710, THE CASE PROBABLY THE ORIGINAL
A CHINESE EXPORT REVERSE PAINTED MIRROR
QIANLONG PERIOD, IN A GEORGE III GILTWOOD FRAME, CIRCA 1760-1770
A LARGE RUSSIAN SILVER PUNCH SET
BY PAVEL OVCHINNIKOV, MOSCOW, 1876
PARTIE DE SERVICE EN PORCELAINE DE LA FAMILLE ROSE À DÉCOR DE STYLE 'FEUILLE DE TABAC'
CHINE, DYNASTIE QING, FIN DU XVIIIE SIÈCLE
TRAPANI, XVIIE SIÈCLE
Miroir octogonal
A RARE IMPERIAL GOLD-MOUNTED HARDSTONE SALTA GAME SET
BY FABERGÉ, PROBABLY ST PETERSBURG, CIRCA 1900
PAIRE DE RAFRAÎCHISSOIRS D’ÉPOQUE TRANSITION
ESTAMPILLE DE JOSEPH GENGENBACH, DIT CANABAS, VERS 1770
A SPANISH GILTWOOD AND POLYCHROME-PAINTED MIRROR
LATE 17TH CENTURY, THE POLYCHROME DECORATION POSSIBLY LATER
A RARE IMPERIAL JEWELED AND ENAMELED SILVER-MOUNTED DINOSAUR GASTROLITH SNUFF BOX
BY FABERGÉ, WORKMASTER MICHAEL PERCHIN, ST. PETERSBURG, CIRCA 1890
A NORTH EUROPEAN PARCEL-GILT, GREEN-PAINTED, AMBER AND HARDSTONE-MOUNTED KINGWOOD COMMODE
POSSIBLY NORTH GERMAN OR DANISH, SECOND QUARTER 18TH CENTURY
A LOUIS XV ORMOLU-MOUNTED CHINESE LACQUER COMMODE
BY JEAN DESFORGES, CIRCA 1750
A CHINESE EXPORT PORCELAIN 'TOBACCO LEAF' ASSEMBLED PART DINNER SERVICE
QIANLONG PERIOD, CIRCA 1775
FORTUNATO GALLI (ITALIAN, FL. 1880-1900)
Figure of a Nereid (Sea Nymph)
AN ITALIAN ORMOLU-MOUNTED, WALNUT, EBONY, EBONISED AND PIETRA DURA CABINET
ROME, SECOND HALF 17TH CENTURY
A DUTCH ENGRAVED MOTHER-OF-PEARL INLAID TOUCHSTONE AND BRECCIA MARBLE PANEL
BY DIRCK VAN RIJSWIJCK, CIRCA 1673
A BRONZE GROUP OF ARRIA AND PAETUS
LAURENT HUBERT (FRENCH, D. CIRCA 1780), CIRCA 1753
A LOUIS XIV ALLEGORICAL TAPESTRY OF SUMMER
PARIS, SECOND HALF 17TH CENTURY, IN THE MANNER OF BERNAERT VAN ORLEY
AN ITALIAN ORMOLU-MOUNTED, PIETRA DURA AND EBONY CASKET
ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, FLORENCE, EARLY 18TH CENTURY
A FLEMISH MYTHOLOGICAL GAME PARK TAPESTRY
ATTRIBUTED TO FILIPS VAN DER CAMMEN, ENGHIEN, SECOND HALF 16TH CENTURY
ANTOINE-LOUIS BARYE (FRENCH, 1796-1875)
Éléphant d'Afrique (African elephant)
AN ITALIAN PIETRA DURA AND ALABASTER TABLE TOP
MID-18TH CENTURY INCORPORATING 17TH CENTURY PLAQUES, ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, FLORENCE
A LARGE ITALIAN PIETRA DURA PLAQUE
ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, FLORENCE, FIRST HALF 18TH CENTURY, THE LOUIS XVI STYLE BASE LATE 19TH CENTURY
AN EMPIRE ORMOLU-MOUNTED ORBICULAR DIORITE VASE
EARLY 19TH CENTURY
A PAIR OF GEORGE IV 18-INCH TERRESTRIAL AND CELESTIAL MAHOGANY LIBRARY GLOBES
BY JOHN AND WILLIAM CARY, LONDON
A FLEMISH TAPESTRY GAME PARK 'PUGNAE FERARUM' TAPESTRY
BRUSSELS, CIRCA 1600
A PAIR OF ROYAL ITALIAN WALNUT AND MARBLE BOMBE COMMODES
ROME, MID 18TH CENTURY
A RUSSIAN JEWELLED AND CHAMPLEVÉ ENAMEL SILVER-GILT ICON OF THE MOTHER OF GOD 'SOOTHE MY SORROWS'
BY NIKOLAI NEMIROV-KOLODKIN, MOSCOW, 1892
ÉCOLE VÉNITIENNE DU XVIIIe SIÈCLE
Venise : vue du Grand Canal
MEUBLE À HAUTEUR D’APPUI D’ÉPOQUE LOUIS XVI
ESTAMPILLE D’ETIENNE LEVASSEUR, VERS 1780
A SOUTH GERMAN GILTWOOD COMMODE
MUNICH, CIRCA 1730-1740, IN THE MANNER OF FRANCOIS DE CUVILLIES
AN IMPORTANT JEWELED AND GUILLOCHÉ ENAMEL TWO-COLOR GOLD IMPERIAL PRESENTATION CIGARETTE CASE
BY FABERGÉ, WORKMASTER AUGUST HOLLMING, ST. PETERSBURG, 1904-1908, SCRATCHED INVENTORY NUMBER 8092
ANTIONIO FRILLI (ITALIAN, FL. LATE 19TH CENTURY) AFTER ANTONIO CANOVA (ITALIAN, 1757-1822)
Venus Italica, lifesize
AN ITALIAN ORMOLU-MOUNTED PIETRA DURA AND EBONY CASKET
ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, FLORENCE, LATE 17TH CENTURY
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of Henrietta Ross, née Parish (1769-1811), three-quarter-length, seated in an armchair, wearing a white dress and holding a carnation in her left hand, a hilly landscape beyond
TWO MARBLE FIGURES OF A CLASSICAL MAIDEN HOLDING A WATER EWER AND A BLACKSMITH IN CLASSICAL DRESS
SHAKESPEARE WOOD (1827-1886, BRITISH)
A SET OF TEN SMALL ITALIAN PIETRA DURA PLAQUES
17TH CENTURY
A SET OF TWELVE FRENCH GILTWOOD DINING CHAIRS
TWO BY NICOLAS-QUINIBERT FOLIOT, CIRCA 1750, TOGETHER WITH TEN MODERN REPLICAS