Edward Burne-Jones


Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Courtesie and Fraunchise (Courtesy and Frankness) in the Garden of Idleness

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Fortuna; Fama; Oblivio; and Amor: The Triumph of Love, or Amor Vincit Omnia

Sir Edward Coley Burne-Jones, Bt, A.R.A., R.W.S. (1833-1898)

The Pilgrim at the Garden of Idleness: an illustration to Chaucer's 'Romance of the Rose'

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Study for the 'Chariot of Love', or 'Love's Wayfaring'

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Head study of Maria Zambaco for Nimue in 'The Beguiling of Merlin'

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S (1833-1898)

Portrait of Lady Gwendolen Gascoyne-Cecil (1860-1945), bust-length, with a wreath of red and white roses in her hair

Sir Edward Coley Burne-Jones, Bt, A.R.A., R.W.S. (1833-1898)

The poet asleep, from 'The Romaunt of the Rose'

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Portrait of a Young Woman (Annie Keene)

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Study of a head, probably for the Angel in 'The Annunciation'

Sir Edward Coley Burne-Jones Bt., A.R.A., R.W.S. (1833-1898)

Portrait study of Olive Maxse, probably for 'The Sirens'

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Study for a head of a mermaid in 'The Depths of the Sea'

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Study for the head of the Angel in 'Le Chant d'Amour'

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Dorigen de Bretaigne awaiting the return of her husband

SIR EDWARD COLEY BURNE-JONES, BT., A.R.A., R.W.S. (BRITISH, 1833-1898)

Portrait of Fanny Cornforth, reclining in a chair, for 'Laus Veneris'; with figure studies for 'Clerk Saunders' (on the reverse)

SIR EDWARD COLEY BURNE-JONES, BT., A.R.A., R.W.S. (1833-1898)

Justitia, for a stained-glass window at St Paul's Cathedral, Calcutta

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

The Virgin Mary: A Cartoon for Stained Glass at Ashton-under-Lyne

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Portrait of Alice Macdonald Fleming, née Kipling (1868-1948), in profile

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Female head study for the first of the Three Graces in 'Venus Concordia'

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Designs for sculptural reliefs: Sea Nymph; and Wood Nymph

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Lovers in a passionate embrace: four variations

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Studies for 'The Golden Stairs': female figure studies, including possibly Margaret Burne-Jones and Mary Stuart Wortley, one with a subsidiary drapery study ( verso ) and one with a study for 'The Nativity' ( verso )

EDWARD COLEY BURNE-JONES, BT., A.R.A, R.W.S. (BRITISH, 1833-1898)

Christ and the Woman of Samaria at the Well

Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

A Study of Olive Maxse for one of the mourning Queens in 'The Sleep of King Arthur in Avalon'