Paul Cezanne

Few artists are as influential as Paul Cezanne, the French Post-Impressionist whose work inspired Fauvism, Cubism and other avant-garde movements. Born in Aix-en-Provence in 1839, Cezanne began to study drawing while still at school. He later graduated from the Collège Bourbon before entering law school at the University of Aix.

In 1861, two years after matriculating, he abandoned the course and moved to Paris. For a brief period, he studied at the Atelier Suisse with Camille Pissarro, and in the capital, he became close friends with Claude Monet and Pierre-Auguste Renoir. His paintings were rejected by the official Paris Salon, so he, like many of his contemporaries, participated in the 1863 Salon des Refusés.

Although he never fully aligned with Impressionism, Cezanne did show paintings at the first Impressionist exhibition in 1874. In the canvases of these years, he built up luminous colour and began to paint en plein air, as seen in Bathers (1874–75), which combines the radiance of natural light with figures drawn from his imagination. It was during this decade that Cezanne began to probe the relationship between colour and form. This would come to be the central question of his oeuvre.

Following the onset of the Franco-Prussian War, Cezanne left Paris for the south. He began to paint landscapes in and around Aix and of l’Estaque, near Marseille. It was here that Cezanne developed his analytical approach to painting, in which he sought to show depth through colour and geometry. ‘Everything in nature,’ he observed, ‘is modelled after the sphere, the cone, and the cylinder. One must learn to paint from these simple figures.’ While his studies of Mont Sainte-Victoire demonstrate his dedication to geometric representation, Cezanne experimented in his studio as well as in works such as Apples (1878–79) and Le panier de pommes (c.1893), among others.

By the start of the 20th century, Cezanne was exhibiting widely and internationally, an important figure to legions of artists including Paul Gauguin, Pablo Picasso, Henri Matisse and Marcel Duchamp. Cezanne would live in the south of France until his death in 1906.

Paul Cézanne (1839-1906)

Nature morte avec pot au lait, melon et sucrier

Paul Cézanne (1839-1906)

L'homme à la pipe (Étude pour un joueur de cartes) ( recto ); Père Alexandre ( verso )

Paul Cezanne (1839-1906)

Joueur de cartes

Paul Cézanne (1839-1906)

Théière et oranges (La Nappe)

Paul Cézanne (1839-1906)

La Montagne Sainte-Victoire vue des Lauves

PAUL CEZANNE (1839-1906)

La montagne Sainte-Victoire vue des Lauves (recto); Etude d'arbres (verso)

Paul Cézanne (1839-1906)

Oranges et verre ( recto ) ; Le fils de Cézanne ( verso )

Paul Cézanne (1839-1906)

Baigneuses devant une montagne ( recto ); Etude de maison ( verso )

Paul Cézanne (1839-1906)

Puits et route tournante dans le parc de Château Noir

Paul Cezanne (1839-1906)

Forêt ( recto ); Arbres et buissons ( verso )

Paul Cezanne (1839-1906)

Arbres se croisant au bord de l'eau, II

PAUL CÉZANNE (1839-1906)

Vue du Château Colombier ( recto ); Etude d'arbres ( verso )

Paul Cezanne (1839-1906)

Portrait du fils de l'artiste (recto); Scéne illustrant un récit romantique (verso)

Paul Cezanne (1839-1906)

Forêt ( recto ); Arbres et buissons ( verso )

Paul Cézanne (1839-1906)

Pot de géraniums

PAUL CÉZANNE (1839-1906)

Cinq baigneuses (recto); Études de baigneuse (verso)

Paul Cézanne (1839-1906)

Route en sous-bois

Paul Cezanne (1839-1906)

Route tournante

Paul Cézanne (1839-1906)

Profil de rocher près des grottes au-dessus de Château Noir

Paul Cézanne (1839-1906)

Cinq baigneuses ( recto ); Etudes de baigneuse ( verso )

Paul Cezanne (1839-1906)

Le Repas ( recto ); Baigneur assis et dossier de chaise ( verso )

PAUL CEZANNE (1839-1906)

La Barque ou Le lac d’Annecy

Paul Cézanne (1839-1906)

Arbres au bord d’une route ( recto ); Au Jas de Bouffan ( verso )

Paul Cézanne (1839-1906)

Arbres au bord d’une route (recto); Au Jas de Bouffan (verso)

Paul Cézanne (1839-1906)

La Montagne Sainte-Victoire

Paul Cezanne (1839-1906)

Tronc d'arbre et fleurs

Paul Cézanne (1839-1906)

Le Manoir du Jas de Bouffan ( recto ); Portrait du père de l'artiste ( verso )

Paul Cézanne (1839-1906)

La plaine de Bellevue ( recto ); Paysage provençal ( verso )

Paul Cézanne (1839-1906)

Poterie marseillaise (recto); É tude de trois baigneuses (verso)

Paul Cezanne (1839-1906)

La Montagne Sainte-Victoire

Paul Cezanne (1839-1906)

Paysage (environs de Pontoise ?)

PAUL CÉZANNE (1839-1906)

Arbres se reflétant dans l’eau (lac d’Annecy?)

Paul Cezanne (1839-1906)

Page de croquis ( recto ); La partie de campagne ( verso )

Paul Cezanne (1839-1906)

Paysage provençal ( recto ); Montagne Sainte-Victoire, environs de Gardanne ( verso )

Paul Cézanne (1839-1906)

Page of studies, including Madame Cézanne sewing ( recto ); Head of the artist's son, and kettle ( verso )

Paul Cezanne (1839-1906)

Baigneurs ( recto and verso )

Paul Cézanne (1839-1906)

Femme à la mante

Paul Cezanne (1839-1906)

Toits, maisons, murs de jardins

PAUL CÉZANNE (1839-1906)

La Vallée de l'Arc

Paul Cézanne (1839-1906)

Arbres à Jas de Bouffan

Paul Cézanne (1839-1906)

Femme à la mante

Paul Cézanne (1839-1906)

D'après Pierre Puget: Atlas

Paul Cezanne (1839-1906)

Tournant de route dans un bois

Paul Cezanne (1839-1906)

L'Estaque et le golfe de Marseille ( recto ); Rochers à L'Estaque ( verso )

Paul Cezanne (1839-1906)

Etude d'arbres