In 1861, two years after matriculating, he abandoned the course and moved to Paris. For a brief period, he studied at the Atelier Suisse with Camille Pissarro, and in the capital, he became close friends with Claude Monet and Pierre-Auguste Renoir. His paintings were rejected by the official Paris Salon, so he, like many of his contemporaries, participated in the 1863 Salon des Refusés.
Although he never fully aligned with Impressionism, Cezanne did show paintings at the first Impressionist exhibition in 1874. In the canvases of these years, he built up luminous colour and began to paint en plein air, as seen in Bathers (1874–75), which combines the radiance of natural light with figures drawn from his imagination. It was during this decade that Cezanne began to probe the relationship between colour and form. This would come to be the central question of his oeuvre.
Following the onset of the Franco-Prussian War, Cezanne left Paris for the south. He began to paint landscapes in and around Aix and of l’Estaque, near Marseille. It was here that Cezanne developed his analytical approach to painting, in which he sought to show depth through colour and geometry. ‘Everything in nature,’ he observed, ‘is modelled after the sphere, the cone, and the cylinder. One must learn to paint from these simple figures.’ While his studies of Mont Sainte-Victoire demonstrate his dedication to geometric representation, Cezanne experimented in his studio as well as in works such as Apples (1878–79) and Le panier de pommes (c.1893), among others.
By the start of the 20th century, Cezanne was exhibiting widely and internationally, an important figure to legions of artists including Paul Gauguin, Pablo Picasso, Henri Matisse and Marcel Duchamp. Cezanne would live in the south of France until his death in 1906.
Paul Cézanne (1839-1906)
Nature morte avec pot au lait, melon et sucrier
Paul Cézanne (1839-1906)
L'homme à la pipe (Étude pour un joueur de cartes) ( recto ); Père Alexandre ( verso )
Paul Cezanne (1839-1906)
Joueur de cartes
Paul Cézanne (1839-1906)
Théière et oranges (La Nappe)
Paul Cézanne (1839-1906)
La Montagne Sainte-Victoire vue des Lauves
PAUL CEZANNE (1839-1906)
La montagne Sainte-Victoire vue des Lauves (recto); Etude d'arbres (verso)
Paul Cézanne (1839-1906)
Oranges et verre ( recto ) ; Le fils de Cézanne ( verso )
Paul Cézanne (1839-1906)
Baigneuses devant une montagne ( recto ); Etude de maison ( verso )
Paul Cézanne (1839-1906)
Puits et route tournante dans le parc de Château Noir
Paul Cezanne (1839-1906)
Forêt ( recto ); Arbres et buissons ( verso )
Paul Cezanne (1839-1906)
Arbres se croisant au bord de l'eau, II
PAUL CÉZANNE (1839-1906)
Vue du Château Colombier ( recto ); Etude d'arbres ( verso )
Paul Cezanne (1839-1906)
Portrait du fils de l'artiste (recto); Scéne illustrant un récit romantique (verso)
Paul Cezanne (1839-1906)
Forêt ( recto ); Arbres et buissons ( verso )
Paul Cézanne (1839-1906)
Pot de géraniums
PAUL CÉZANNE (1839-1906)
Cinq baigneuses (recto); Études de baigneuse (verso)
Paul Cézanne (1839-1906)
Route en sous-bois
Paul Cezanne (1839-1906)
Route tournante
Paul Cézanne (1839-1906)
Profil de rocher près des grottes au-dessus de Château Noir
Paul Cézanne (1839-1906)
Cinq baigneuses ( recto ); Etudes de baigneuse ( verso )
Paul Cezanne (1839-1906)
Le Repas ( recto ); Baigneur assis et dossier de chaise ( verso )
PAUL CEZANNE (1839-1906)
La Barque ou Le lac d’Annecy
Paul Cézanne (1839-1906)
Paysage
Paul Cézanne (1839-1906)
Arbres au bord d’une route ( recto ); Au Jas de Bouffan ( verso )
Paul Cézanne (1839-1906)
Arbres au bord d’une route (recto); Au Jas de Bouffan (verso)
Paul Cézanne (1839-1906)
La Montagne Sainte-Victoire
Paul Cezanne (1839-1906)
Tronc d'arbre et fleurs
Paul Cézanne (1839-1906)
Le Manoir du Jas de Bouffan ( recto ); Portrait du père de l'artiste ( verso )
Paul Cézanne (1839-1906)
La plaine de Bellevue ( recto ); Paysage provençal ( verso )
Paul Cézanne (1839-1906)
Poterie marseillaise (recto); É tude de trois baigneuses (verso)
Paul Cezanne (1839-1906)
La Montagne Sainte-Victoire
PAUL CEZANNE (1839-1906)
Une Allée
Paul Cezanne (1839-1906)
Paysage (environs de Pontoise ?)
PAUL CÉZANNE (1839-1906)
Arbres se reflétant dans l’eau (lac d’Annecy?)
Paul Cezanne (1839-1906)
Page de croquis ( recto ); La partie de campagne ( verso )
Paul Cezanne (1839-1906)
Paysage provençal ( recto ); Montagne Sainte-Victoire, environs de Gardanne ( verso )
Paul Cézanne (1839-1906)
Page of studies, including Madame Cézanne sewing ( recto ); Head of the artist's son, and kettle ( verso )
Paul Cezanne (1839-1906)
Baigneurs ( recto and verso )
Paul Cézanne (1839-1906)
Femme à la mante
Paul Cezanne (1839-1906)
Toits, maisons, murs de jardins
PAUL CÉZANNE (1839-1906)
La Vallée de l'Arc
Paul Cézanne (1839-1906)
Arbres à Jas de Bouffan
Paul Cézanne (1839-1906)
Femme à la mante
Paul Cézanne (1839-1906)
Sous-bois
Paul Cézanne (1839-1906)
D'après Pierre Puget: Atlas
Paul Cézanne (1839-1906)
Deux arbres
Paul Cezanne (1839-1906)
Homme nu
Paul Cezanne (1839-1906)
Tournant de route dans un bois
Paul Cezanne (1839-1906)
L'Estaque et le golfe de Marseille ( recto ); Rochers à L'Estaque ( verso )
Paul Cezanne (1839-1906)
Etude d'arbres