Rembrandt van Rijn

Considered the greatest artist of the Dutch Golden Age, Rembrandt Harmenszoon van Rijn revolutionised painting with an exceptional command of light, shadow and brushwork, possessing his scenes and subjects with uncompromising realism and ambitious psychological intensity.

Born in Leiden in 1606, Rembrandt made his name after 1631 in the booming port of Amsterdam, painting portraits, Biblical scenes, landscapes and animal studies for a newly minted mercantile class. Although he never went abroad his art was indebted to the Italian Baroque painter Caravaggio, whose innovative use of chiaroscuro, developed around the start of the century, had recently made way to Holland via the travelling Dutch artists Hendrick ter Brugghen, Gerrit van Honthorst and Dirck van Baburen.

Following Amsterdam’s Protestant Reformation of 1578, commissions from the church dried up — instead Rembrandt had to look to civic bodies for patronage. An order placed circa 1639 resulted in his most famous painting: a huge, dynamic group portrait of a local militia emerging from a dark alley called The Night Watch (1642, Rijksmuseum).

Approximately 50 of Rembrandt’s 300 or so paintings were self-portraits, spanning the entirety of his 40-year career. He elevated the medium to new heights of autobiography, adopting unconventional facial expressions, props and costumes to convey his ever changing moods. Over time, he also developed an impasto technique, applying thick layers of paint with strokes of a palette knife or the bristles of his brush to build up a tactile surface of his aging, ruddy and wrinkled face.

Rembrandt was also a prolific printer. Hugely experimental with his range of mark-making and the tonal qualities of the medium, he produced some 300 etchings and drypoints, which were widely circulated around Europe during his lifetime and are still considered a benchmark of the skill.

Despite his success, Rembrandt squandered his fortune, spending compulsively on art and antiques. In 1656 he declared bankruptcy and surrendered his assets in an attempt to settles his debts. In 1669, at the age of 63, he died penniless and was buried in an unmarked grave. Today, his legacy endures. In 2009 Christie’s sold Rembrandt’s Portrait of a man with arms akimbo for £20,201,250, setting a world auction record for the artist.


REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait in a Fur Cap: Bust

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait open-mouthed, as if shouting: Bust

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait with long bushy Hair: Head only

REMBRANDT HARMENSZ. VAN RIJN (1606-1669) AND WORKSHOP

Self-Portrait in a Cap and dark Cloak: Bust

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Artist's Mother with her Hand on her Chest

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait in a Cap and Scarf with the Face dark: Bust

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Artist's Mother in a Cloth Headdress, looking down: Head only

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Three Heads of Women, one lightly etched

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Catherine ('The Little Jewish Bride')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

'The Great Jewish Bride'

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait in a flat Cap and embroidered Dress

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Sick Woman with a large white Headdress (Saskia)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Medea: or The Marriage of Jason and Creusa

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Abraham entertaining the Angels

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Joseph telling his Dreams

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Joseph and Potiphar's Wife

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Blindness of Tobit: the larger Plate

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Flight into Egypt: small Plate

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Flight into Egypt: a Night Piece

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Circumcision in the Stable

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Circumcision in the Stable

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Presentation in the Temple: Oblong Print

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ disputing with the Doctors: a Sketch

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ returning from the Temple with his Parents

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ and the Woman of Samaria: an arched Print

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ before Pilate: large Plate

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ presented to the People ('Ecce Homo')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ crucified between the two Thieves: 'The Three Crosses'

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ crucified between the two Thieves: an oval Plate

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Descent from the Cross: a Sketch

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Peter and John healing the Cripple at the Gate of the Temple

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Jerome praying: arched

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Bridge at Klein Kostverloren on the Amstel ('Six's Bridge')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with Sportsman and Dogs ('Het Jagertje')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Cottage with a white Paling

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Cottage and Boundary Post on the Spaarndammerdijk ('Landscape with an Obelisk')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with a Square Tower

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with a Cow drinking

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Canal with an Angler and two Swans

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Cottages and a Hay Barn on the Diemerdijk with a Flock of Sheep

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with a Farmhouse along a Road beside a Canal

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Panorama near Bloemendael showing the Saxenburg Estate ('The Goldweigher's Field')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The small Lion Hunt (with one Lion)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Seated Beggar and his Dog

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Beggar with a crippled Hand leaning on a Stick

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Old Beggar Woman with a Gourd

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Beggar seated warming his Hands at a Chafing Dish