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拍品 122The following group of nine paintings and drawings by L.S. Lowry are from the collection of a close friend of the artist, acquired over nearly a quarter of a century, and now in the possession of his immediate family.
Lowry's friend was also a regular caller at 'The Elms', the artist's home in Mottram in Longdendale, and the pair lunched together every Tuesday, more often than not in Huddersfield, so that Lowry could visit his framer (Mountain Road, lot 130, is a sketch given after one such lunch on 11 October 1969).
Because of the friendship between the two men, Lowry's own thoughts and comments on these pictures have survived. We can know that he considered the crowd gathered around the cricket sight board in lot 124 as 'one of my most successful crowd scenes', and that The Two Brothers, lot 122, was the artist's favourite painting; 'it is absolutely symbolic of life' he commented to his friend.
Property from a Family Collection
Lowry's friend was also a regular caller at 'The Elms', the artist's home in Mottram in Longdendale, and the pair lunched together every Tuesday, more often than not in Huddersfield, so that Lowry could visit his framer (Mountain Road, lot 130, is a sketch given after one such lunch on 11 October 1969).
Because of the friendship between the two men, Lowry's own thoughts and comments on these pictures have survived. We can know that he considered the crowd gathered around the cricket sight board in lot 124 as 'one of my most successful crowd scenes', and that The Two Brothers, lot 122, was the artist's favourite painting; 'it is absolutely symbolic of life' he commented to his friend.
Property from a Family Collection
Laurence Stephen Lowry, R.A. (1887-1976)
The Two Brothers
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GBP 195,650
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Lowry had commented that this was his favourite picture '"It is absolutely symbolic of life" he said. "There are those two fellows, they could be brother salesmen, they could be calling door to door collecting insurance. There are two figures in the back whom I don't mean to be policemen but who could easily be taken for such. There's the church at the back, the two little kids there, and these two poor devils going about their business. Now that's the industrial scene, too"' (see A. Andrews, loc. cit.).