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拍品 43
RUFINO TAMAYO
Perro Ladrándole a la Luna (P. 333)
成交价
USD 4,800
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RUFINO TAMAYO
Perro Ladrándole a la Luna (P. 333)
lithograph in colors, 1988, on Arches, signed in pencil, numbered 14/100 (rewritten, Pereda calls for the editions of 40 on Arches and 80 on handmade paper plus 12 artist's proofs in Roman numerals), with the Ernest F. de Soto Workshop blindstamp, San Francisco, with wide margins, soft creasing and minor surface soiling, taped to the support in places along the reverse of the margin edges (slightly showing through in the upper margin), otherwise apparently in very good condition, not examined out of the frame
L. 22 3/8 x 30¾ in. (568 x 780 mm.)
S. 26 7/8 x 35 1/8 in. (682 x 892 mm.)
Perro Ladrándole a la Luna (P. 333)
lithograph in colors, 1988, on Arches, signed in pencil, numbered 14/100 (rewritten, Pereda calls for the editions of 40 on Arches and 80 on handmade paper plus 12 artist's proofs in Roman numerals), with the Ernest F. de Soto Workshop blindstamp, San Francisco, with wide margins, soft creasing and minor surface soiling, taped to the support in places along the reverse of the margin edges (slightly showing through in the upper margin), otherwise apparently in very good condition, not examined out of the frame
L. 22 3/8 x 30¾ in. (568 x 780 mm.)
S. 26 7/8 x 35 1/8 in. (682 x 892 mm.)
RUFINO TAMAYO
Perro Ladrándole a la Luna (P. 333)
lithograph in colors, 1988, on Arches, signed in pencil, numbered 14/100 (rewritten, Pereda calls for the editions of 40 on Arches and 80 on handmade paper plus 12 artist's proofs in Roman numerals), with the Ernest F. de Soto Workshop blindstamp, San Francisco, with wide margins, soft creasing and minor surface soiling, taped to the support in places along the reverse of the margin edges (slightly showing through in the upper margin), otherwise apparently in very good condition, not examined out of the frame
L. 22 3/8 x 30¾ in. (568 x 780 mm.)
S. 26 7/8 x 35 1/8 in. (682 x 892 mm.)
Perro Ladrándole a la Luna (P. 333)
lithograph in colors, 1988, on Arches, signed in pencil, numbered 14/100 (rewritten, Pereda calls for the editions of 40 on Arches and 80 on handmade paper plus 12 artist's proofs in Roman numerals), with the Ernest F. de Soto Workshop blindstamp, San Francisco, with wide margins, soft creasing and minor surface soiling, taped to the support in places along the reverse of the margin edges (slightly showing through in the upper margin), otherwise apparently in very good condition, not examined out of the frame
L. 22 3/8 x 30¾ in. (568 x 780 mm.)
S. 26 7/8 x 35 1/8 in. (682 x 892 mm.)