
European Furniture and Works of Art
Our international team of specialists in London, Paris and New York have overseen a variety of high-profile and landmark sales, including Masterpieces from a Rothschild Collection, totalling £23.8 million in London; The Private Collection of Jayne Wrightsman in New York; and the collections of Karl Lagerfeld, Hubert de Givenchy and Yves Saint-Laurent & Pierre Bergé in Paris and Monaco. The department was responsible for the record-breaking sale of The Badminton Cabinet, which achieved £19 million in 2004 — the most expensive decorative work of art ever to be sold at auction.
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Amjad Rauf
International Head of Masterpiece and Private Sales
London
As International Head, Masterpiece and Private Sales, and Head of the London annual Exceptional Sale, Amjad Rauf’s main focus is Decorative Arts Masterpieces, notably for sales in London, Paris and New York. Based in London, Amjad works closely with his Decorative Arts colleagues globally, as well as other Christie’s representatives, collaborating with them on matters of client relations, sourcing, valuations, curating and expertise. Responsible for Decorative Arts Private sales since 2014, Amjad staged the exhibition “Empire, curated by Hubert de Givenchy” in 2014, and “Expanding Horizons”, in 2021, focusing on the relation between Asian Contemporary Art and Classical Decorative Arts. One of the most international members of Christie’s Decorative Arts team, Amjad is fluent in English, Dutch, German and French. He joined the department in London in 1995, and has since, in various capacities, worked on the sales of European Decorative Arts as well as key European and US Collections, such as the sale of the late Dr Anton Dreesmann in 2002 (£22,4 Million); The Champalimaud and Wildenstein Collections in 2005 (£39 Million and £21,9 Million), Taste of the Royal Court in 2016 (£ 6,7 Million) and the Eric Albada Jelgersma Collection in 2018 (£ 22 Million). A highly memorable moment in his career was the sale of the Badminton cabinet in 2004 (£19 Million), the most expensive piece of furniture ever sold at auction.
Paul Gallois, Head of European Furniture, EMEA, joined Christie’s in 2013. Trained by renowned furniture expert and author Alexandre Pradère, he began his career as a European Decorative Arts specialist in New York before moving to London, where he led the department for more than a decade. This international experience has given him a broad and informed perspective on the market.
Now based in Paris, he oversees the European Furniture and Works of Art sales across EMEA, working closely with the international Decorative Arts team, with a strong focus on connoisseurship and research into European furniture masterpieces. With deep expertise in French and Continental furniture, he advises many of the world’s leading collectors and has made significant discoveries that have furthered scholarship in this area.
Among his notable discoveries is a bureau de pente by Jacques Dubois delivered to Madame de Pompadour, sold in 2018 for £1,871,250. He led the landmark Masterpieces from a Rothschild Collection sale in 2019 (£25,394,625) and subsequently contributed as lead specialist for the Hubert de Givenchy collection in 2022 (€114,400,000) and the Rothschild sales in New York in 2024 ($43,237,900).
Paul holds a Law degree from Panthéon-Assas University and a History of Art degree from the Sorbonne.
Casey Rogers
Senior Vice President, International Specialist Head
London, New York
Casey Rogers is the International Specialist Head of 19th Century Furniture and Sculpture and Head of The Exceptional Sale, New York Ms. Rogers joined Christie’s in 2003 and currently oversees global business and client development for auction and private sales for the collecting category across London, Paris and New York. During her tenure, Ms. Rogers has achieved exceptional results across sale platforms, including record prices for works by leading ébénistes, as well as the record-breaking prices for works of art and sculpture. Recent sales include an exceptional pair of Baccarat torchères sold on behalf of Warner Bros. Studios ($1,325,000), Alfred Beurdeley’s replica of the celebrated Bureau du Roi ($925,000), formerly in the collection of George J. Gould, and Eduard Muller’s marble figures of ‘Nymph & Satyr’ (€2,502,000) which achieved an auction record for the artist. Ms. Rogers has additionally overseen single-owners sales of historically important collections, including The Jack & Eileen Feather Collection in April 2018.
As Head of The Exceptional Sale, Casey has overseen remarkable results for furniture, works of art, clocks, important musical instruments and iconic memorabilia, including Les Paul’s personally-owned ‘prototype’ for his eponymous guitar ($930,000) in 2021, the Mentmore Towers marble torchères (£906,000) in 2022, as well as record-breaking sales of important sculpture.
Benjamin joined Christie’s Decorative Arts department as a Cataloguer in 2021 and has worked on the biannual Collector sales as well as contributing to the phenomenal success of the sale of the collection of Hubert de Givenchy in June 2022 and the London Exceptional Sale in July 2022. Enthused by history and research, Benjamin works primarily with the English, European, and 19th Century Furniture and Works of Art departments. He holds a bachelor’s degree in Classics and German from Oxford University and prior to joining Christie’s worked with museums and auction houses in the UK and Germany.
Alix joined Christie’s Decorative Arts department in May 2022 as a Junior Specialist working primarily with the English, European, and 19th Century Furniture and Works of Art departments. Since joining she has worked on the Exceptional sales in London, Provenance Revealed: Galerie Steinitz and is co-head of the biannual Collector sale series in London. Before joining Christie’s Alix was with another leading auction house in London for three years and prior to this worked for two years as an advisor to a private collector. She holds an MA in Art History from the University of St Andrews with a particular focus on English and European Decorative Arts from Baroque to Art Nouveau. She was awarded the Trethowan scholarship for her undergraduate dissertation where her research was responsible for the re-attribution of two Broadwood & Sons decorated pianos housed in museums in London and Birmingham, historically attributed to the artist Edward Burne-Jones, to the lesser known female artist Kate Faulkner. After graduation she moved to Italy where she completed the postgraduate certificate program in Art Crime and Cultural Heritage Protection with the Association for Research into Crimes Against Art. She also holds a Diploma in Art Profession Law and Ethics from the Institute of Art and Law in London.
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