A late 19th century Salvador Ibanez
labelled Fabrica de Guitarras de Salvador Ibanez, Bajada Sn.Francisco 23, Valencia, in natural finish, rosewood body, spruce top, binding and rosette with ornate chevron-pattern mother-of-pearl inlays, mahogany neck, eighteen fret ebony fingerboard, slotted headstock with center-stripe inlay, rosewood tie block bridge with inlays; and a black hardshell contour case with green plush lining and Lee Dickson's handwritten tie-on label Salvadore Ibanez Gutstring (Pearl Inlays) 3 and adhesive paper label similarly inscribed
Eric Clapton commented that this guitar has "..a great sound.." and that he kept it as "...a dressing room guitar...". Lee Dickson recalled that Clapton had this guitar for a long time and that he took it to the dressing room at The Royal Albert Hall for Clapton during one of his seasons there in the 1990s.
Ibanez Salvador/Natural
A late 19th century Salvador Ibanez
labelled Fabrica de Guitarras de Salvador Ibanez, Bajada Sn.Francisco 23, Valencia, in natural finish, rosewood body, spruce top, binding and rosette with ornate chevron-pattern mother-of-pearl inlays, mahogany neck, eighteen fret ebony fingerboard, slotted headstock with center-stripe inlay, rosewood tie block bridge with inlays; and a black hardshell contour case with green plush lining and Lee Dickson's handwritten tie-on label Salvadore Ibanez Gutstring (Pearl Inlays) 3 and adhesive paper label similarly inscribed
Eric Clapton commented that this guitar has "..a great sound.." and that he kept it as "...a dressing room guitar...". Lee Dickson recalled that Clapton had this guitar for a long time and that he took it to the dressing room at The Royal Albert Hall for Clapton during one of his seasons there in the 1990s.
Ibanez Salvador/Natural
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