拍品 31
Lucas Vorsterman
St Michael Striking Down the Rebellious Angels, after Peter Paul Rubens
成交價
GBP 517
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Lucas Vorsterman
St Michael Striking Down the Rebellious Angels, after Peter Paul Rubens
engraving, first state (of three), a good impression, trimmed just inside the platemark, retaining a blank fillet of paper outside the image, just into the image on the right, and unevenly trimmed on the left, a small area of paper loss at the left sheet edge, pale surface dirt, remains of glue at the reverse sheet edges, S. 563 x 430mm.; with ten others by and after the same hands, including The Return From Egypt (H. 11), Lot and His Daughters (H. 1 ii/ii), Job Tormented by Demons and Abused by His Wife (H. 3 i/iii), Susannah and the Elders (H. 4 i/ii), The Adoration of the Shepherds (H. 6), The Adoration of the Shepherds (H. 7 ii/ii), The Adoration of the Magi (H. 9), The Tribute Money (H. 12), St. Francis Receiving the Stigmata (H. 71 ii/iv), and St. Lawrence at the Stake (H. 88 ii/ii) (11)
St Michael Striking Down the Rebellious Angels, after Peter Paul Rubens
engraving, first state (of three), a good impression, trimmed just inside the platemark, retaining a blank fillet of paper outside the image, just into the image on the right, and unevenly trimmed on the left, a small area of paper loss at the left sheet edge, pale surface dirt, remains of glue at the reverse sheet edges, S. 563 x 430mm.; with ten others by and after the same hands, including The Return From Egypt (H. 11), Lot and His Daughters (H. 1 ii/ii), Job Tormented by Demons and Abused by His Wife (H. 3 i/iii), Susannah and the Elders (H. 4 i/ii), The Adoration of the Shepherds (H. 6), The Adoration of the Shepherds (H. 7 ii/ii), The Adoration of the Magi (H. 9), The Tribute Money (H. 12), St. Francis Receiving the Stigmata (H. 71 ii/iv), and St. Lawrence at the Stake (H. 88 ii/ii) (11)
Lucas Vorsterman
St Michael Striking Down the Rebellious Angels, after Peter Paul Rubens
engraving, first state (of three), a good impression, trimmed just inside the platemark, retaining a blank fillet of paper outside the image, just into the image on the right, and unevenly trimmed on the left, a small area of paper loss at the left sheet edge, pale surface dirt, remains of glue at the reverse sheet edges, S. 563 x 430mm.; with ten others by and after the same hands, including The Return From Egypt (H. 11), Lot and His Daughters (H. 1 ii/ii), Job Tormented by Demons and Abused by His Wife (H. 3 i/iii), Susannah and the Elders (H. 4 i/ii), The Adoration of the Shepherds (H. 6), The Adoration of the Shepherds (H. 7 ii/ii), The Adoration of the Magi (H. 9), The Tribute Money (H. 12), St. Francis Receiving the Stigmata (H. 71 ii/iv), and St. Lawrence at the Stake (H. 88 ii/ii) (11)
St Michael Striking Down the Rebellious Angels, after Peter Paul Rubens
engraving, first state (of three), a good impression, trimmed just inside the platemark, retaining a blank fillet of paper outside the image, just into the image on the right, and unevenly trimmed on the left, a small area of paper loss at the left sheet edge, pale surface dirt, remains of glue at the reverse sheet edges, S. 563 x 430mm.; with ten others by and after the same hands, including The Return From Egypt (H. 11), Lot and His Daughters (H. 1 ii/ii), Job Tormented by Demons and Abused by His Wife (H. 3 i/iii), Susannah and the Elders (H. 4 i/ii), The Adoration of the Shepherds (H. 6), The Adoration of the Shepherds (H. 7 ii/ii), The Adoration of the Magi (H. 9), The Tribute Money (H. 12), St. Francis Receiving the Stigmata (H. 71 ii/iv), and St. Lawrence at the Stake (H. 88 ii/ii) (11)
Hollstein 92