Circle of Antonio Zanchi (1631-1722)

The poses of the figures are reminiscent of those in Zanchi's painting of the same subject in the Church of S. Maria del Giglio, Venice (A. Riccoboni, Antonio Zanchi e la Pittura Veneziana del Seicento, in Saggi e Memorie di storia dell'arte, 5, Florence, 1966, p.105 and p.198, fig.22)