A MEISSEN KAKIEMON SLENDER SAKE-FLASK
拍品 52

A MEISSEN KAKIEMON SLENDER SAKE-FLASK

CIRCA 1725-30, BLUE CROSSED SWORDS MARK, DREHER'S MARK OF A QUARTERED CIRCLE FOR SCHUMANN, WHEEL-ENGRAVED JAPANESE PALACE INVENTORY NUMBER N=338-/W

已結束2007年12月11日

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GBP 60,500

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A MEISSEN KAKIEMON SLENDER SAKE-FLASK
CIRCA 1725-30, BLUE CROSSED SWORDS MARK, DREHER'S MARK OF A QUARTERED CIRCLE FOR SCHUMANN, WHEEL-ENGRAVED JAPANESE PALACE INVENTORY NUMBER N=338-/W
Painted with scattered motifs including a figure of a boy standing on a tiled rectangle, a shishi lion in turquoise with gilded tufts of hair, a pheonix, a bird perched on a scroll, grasshoppers, a buttefly and insects among tied bouquets, pine and flowering branches (some minor glaze blemishes to rim)
8½ in. (21.6 cm.) high

Augustus II, Elector of Saxony and King of Poland, Japanese Palace, Dresden
Eugène Gutman Collection
With Rosenberg & Stiebel, Inc., New York
Miss Ilse Bischoff, sale Sotheby's New York, 24th February 1978, lot 93 Anon. sale Christie's, Geneva 11th May 1987, lot 150.

專家說明

This distinctive pattern of scattered beasts, insects and flowers derives from Japanese porcelain, and it was used at both Meissen and Chantilly on vases and wares in the late Baroque period. An identical sake-bottle (Inv. Nr. P.E. 623) in the Porzellansammlung, Dresden, is illustrated by Masako Shono, Japanisches Aritaporzellan im sogenannten 'Kakiemonstil' als Vorbild für die Meissener Porzellanmanufaktur Exhibition Catalogue (Munich, 1973), pl. 28, and also by Ingelore Menzhausen, Porzellansammlung im Zwinger (Dresden, 1986), p. 71. For a pair of cylindrical vases with waisted necks, see Abraham L. den Blaauwen, Meissen Porcelain in the Rijksmuseum Rijksmuseum Catalogue (Amsterdam, 2000), Vol. 4, no. 139.

For a 17th century Japanese jar and cover with this pattern, see John Ayers, Oliver Impey, J.V.G. Mallet et. al., Porcelain for Palaces, The Fashion for Japan in Europe 1650-1750 Exhibition Catalogue (London, 1990), no. 145. For a Chantilly bottle-cooler and tobacco-jar of the same pattern, see Geneviève Le Duc, Porcelaine tendre de Chantilly au XVIIIe siècle (Paris, 1996), pp. 85 and 112 respectively.