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拍品 232PROPERTY OF A FRENCH PRIVATE COLLECTOR
古健陀羅地區 二/三世紀 灰片岩釋迦牟尼佛像來源：比利時私人舊藏，於1982年3月22日購自根特古董商Gallery Grusenmeyer現巴黎私人珍藏
ANCIENNE REGION DU GANDHARA, IIEME-IIIEME SIECLE
已結束2018年6月13日
成交價
EUR 247,500
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專家說明
The Art Loss Register, London, 12 September 2013, n°S00064360.
This standing Buddha figure exemplifies the mastery of the artist at a time when Buddhist stone sculpture in the region was at its most refined. The corporal solidity of this figure gives him the prominence of a singular, independent figure. The monastic garments are draped across both shoulders, hanging naturalistically in folds that reveal the contours of the body. The faithful rendering of the deeply carved folds of the garment subtly reveals the underlying physique of his body and this testify to the skill of the sculptor.
The growing popularity of Mahayana Buddhism in religious practice and artistic patronage in the Gandharan region around the 2nd century AD inspired the creation of large, detached sculpted images set alongside narrative friezes.
This standing Buddha figure exemplifies the mastery of the artist at a time when Buddhist stone sculpture in the region was at its most refined. The corporal solidity of this figure gives him the prominence of a singular, independent figure. The monastic garments are draped across both shoulders, hanging naturalistically in folds that reveal the contours of the body. The faithful rendering of the deeply carved folds of the garment subtly reveals the underlying physique of his body and this testify to the skill of the sculptor.
The growing popularity of Mahayana Buddhism in religious practice and artistic patronage in the Gandharan region around the 2nd century AD inspired the creation of large, detached sculpted images set alongside narrative friezes.